Your browser does not allow JavaScript!
JavaScript is necessary for the proper functioning of this website. Please enable JavaScript or use a modern browser.
|
|
SLO
|
ENG
|
Cookies and privacy
DKUM
EPF - Faculty of Business and Economics
FE - Faculty of Energy Technology
FERI - Faculty of Electrical Engineering and Computer Science
FF - Faculty of Arts
FGPA - Faculty of Civil Engineering, Transportation Engineering and Architecture
FKBV - Faculty of Agriculture and Life Sciences
FKKT - Faculty of Chemistry and Chemical Engineering
FL - Faculty of Logistic
FNM - Faculty of Natural Sciences and Mathematics
FOV - Faculty of Organizational Sciences in Kranj
FS - Faculty of Mechanical Engineering
FT - Faculty of Tourism
FVV - Faculty of Criminal Justice and Security
FZV - Faculty of Health Sciences
MF - Faculty of Medicine
PEF - Faculty of Education
PF - Faculty of Law
UKM - University of Maribor Library
UM - University of Maribor
UZUM - University of Maribor Press
COBISS
Faculty of Business and Economic, Maribor
Faculty of Agriculture and Life Sciences, Maribor
Faculty of Logistics, Celje, Krško
Faculty of Organizational Sciences, Kranj
Faculty of Criminal Justice and Security, Ljubljana
Faculty of Health Sciences
Library of Technical Faculties, Maribor
Faculty of Medicine, Maribor
Miklošič Library FPNM, Maribor
Faculty of Law, Maribor
University of Maribor Library
Bigger font
|
Smaller font
Introduction
Search
Browsing
Upload document
For students
For employees
Statistics
Login
First page
>
Show document
Show document
Title:
Proces nastajanja nove gledališke predstave v koprodukciji
Authors:
ID
Botonjić, Samir
(Author)
ID
Urh, Benjamin
(Mentor)
More about this mentor...
Files:
VS_Botonjic_Samir_2021.pdf
(1,01 MB)
MD5: 5F549353CB80AF684493A9829FFC3822
PID:
20.500.12556/dkum/f7404617-b742-4172-9e1d-8b231be5718c
Language:
Slovenian
Work type:
Bachelor thesis/paper
Typology:
2.11 - Undergraduate Thesis
Organization:
FOV - Faculty of Organizational Sciences in Kranj
Abstract:
Namen diplomskega dela je predstavitev procesa nastajanja nove mladinske gledališke predstave v koprodukciji med Cankarjevim domom in zunanjimi producenti, pri tem pa pokazati na nekatere pomanjkljivosti ter navesti specifične sugestije, s pomočjo katerih bi racionalizirali in optimizirali procese. V prvem delu se dotikamo teorije gledališča, v nadaljevanju pa preidem na kronološki pregled delovanja Cankarjevega doma, pri čemer izpostavljam konstitutivno vizijo te kulturne ustanove, ter za zaključek podam predstavitev področja delovanja pri lastni produkciji in koprodukciji. V drugem delu se sprehodimo skozi obstoječe stanje na področju realizacije koprodukcijske predstave in spoznamo na kakšen način pride do vabila o sodelovanju, kako je sestavljena pogodba o sodelovanju, kako in na kakšen način se predstava uvrsti v urnik, kakšna je vloga trženja in kakšne so metode trženja predstav. Proti koncu drugega dela spoznamo samo nastajanje predstave, udeležence pri njenem nastajanju ter način dela pri ponovitvah in gostovanjih, zaključimo pa ga s primerom v praksi, pri gledališko-glasbeni predstavi Tesla in težavami s katerimi se pogosto srečujemo. Zadnji, sklepni del diplomske naloge, je posvečen predlogom za izboljšavo pri nastajanju gledaliških predstav, do katerih smo prišli na podlagi pogovorov z različnimi ustvarjalci, ter izhajanju iz lastnih dolgoletnih izkušenj pri koprodukcijskih predstavah kot so Prosto po Prešernu, Veliki pok, iCankar, Hlapec Jernej in njegova pravica, Afriški živalski raj, ter še nekatere preostale, pri katerih sem participiral tudi sam.
Keywords:
produkcija
,
koprodukcija
,
gledališka predstava
Place of publishing:
Maribor
Year of publishing:
2021
PID:
20.500.12556/DKUM-80724
COBISS.SI-ID:
86891523
Publication date in DKUM:
29.11.2021
Views:
786
Downloads:
52
Metadata:
Categories:
FOV
Cite this work
Plain text
BibTeX
EndNote XML
EndNote/Refer
RIS
ABNT
ACM Ref
AMA
APA
Chicago 17th Author-Date
Harvard
IEEE
ISO 690
MLA
Vancouver
:
BOTONJIĆ, Samir, 2021,
Proces nastajanja nove gledališke predstave v koprodukciji
[online]. Bachelor’s thesis. Maribor. [Accessed 20 January 2025]. Retrieved from: https://dk.um.si/IzpisGradiva.php?lang=eng&id=80724
Copy citation
Average score:
0.5
1
1.5
2
2.5
3
3.5
4
4.5
5
(0 votes)
Your score:
Voting is allowed only for
logged in
users.
Share:
Similar works from our repository:
Digital spatial data as support for river basin management
Water as a pedogenetical factor in the river basin of Sotla
Capacity management with emphasis on job orders
Načrtovanje procesa vzdrževanja potniških vagonov - s poudarkom na človeških virih
Racionalizacija specifičnih obdelav izvrtin s poudarkom na časovnem prihranku
Similar works from other repositories:
Hidrogeografska analiza porečja Vipave
Pretočne značilnosti reke Savinje v obdobju 1961-2010
Hidrogeografske značilnosti tekočih površinskih voda v porečju Grosupeljščice
Hidrogeografske značilnosti porečja reke Pesnice s poudarkom na vodnogospodarskih ureditvah
Hidrogeografske lastnosti potoka Koren v Novi Gorici
Hover the mouse pointer over a document title to show the abstract or click on the title to get all document metadata.
Licences
License:
CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:
http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:
The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:
02.10.2021
Secondary language
Language:
English
Title:
The process of staging a new youth theatre performance in co-production
Abstract:
The purpose of the diploma thesis is to present the emergance of a new youth theater play in co-production between Cankarjev dom and external producers; to point out some shortcomings and to suggest certain improvements that would lead to better performance and realization. In the first part we shall give a short overview on the theory of theatre, on its services and its consumers. It will be followed by a historical overview and vision of Cankarjev dom, its field of work, and the field of operation in its own production and co-production. In the second part we shall present the current situation and functioning in the field of co-production, in the sense of how to get an invitation to participate, how the cooperation agreement is made, how and in what way the show is included in the schedule, what is the role of marketing and how and on what way we market the show. Towards the end of the second part I shall present the creation of the play itself, the participants in its creation and the way of working on replays and guest appearances, concluding with an example in practice, the theater-music play Tesla and the problems it has often encountered. In the last and concluding part of the thesis I shall propose some possible improvements in the creation of theater performances, which I came to on the basis of conversations with various creators and based on my own longtime experiences in co-production performances such as Prosto po Prešernu, Veliki pok, iCankar, Hlapec Jernej in njegova pravica, Afriški živalski raj, and many others in which I have participated myself.
Keywords:
production
,
co-production
,
theatre performance
Comments
Leave comment
You must
log in
to leave a comment.
Comments (0)
0 - 0 / 0
There are no comments!
Back