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Title:Samonikla prizorišča : središča alternativne kulture
Authors:ID Šulc, Ajda (Author)
ID Bučar-Ručman, Aleš (Mentor) More about this mentor... New window
Files:.pdf VS_Sulc_Ajda_2015.pdf (355,36 KB)
MD5: 84E11028198DF5F09920BD18BB246181
 
Language:Slovenian
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FVV - Faculty of Criminal Justice and Security
Abstract:Samonikla prizorišča so produkt nevladnih, alternativnih in avtonomnih pobud posameznikov, ki želijo soustvarjati drugačno kulturo in graditi pravičnejšo skupnost. V ta namen navadno zasedejo in si preuredijo prostore, v katerih organizirajo raznolike prireditve z družbenokritično vsebino ter nudijo tudi drugim somišljenikom možnost aktivnega preživljanja prostega časa, neformalnega učenja, soustvarjanja in razvoja družbenokritičnosti. Skupaj tako neodvisno od kapitala in političnih elit gradijo skupnost, drugačno od zunanjega sveta, znotraj katere zavračajo mnoge vrednote in norme trenutnega izkoriščevalskega sistema, ter generirajo svoje. Te so odraz uporništva in nasprotovanja potrošništvu, neenakostim v družbi, vrednotenju le materialnih dobrin, izgubi občutka za sočloveka, diskriminaciji in individualizmu. To pa jih opredeljuje kot nekonformne z večino, zato so s strani širše družbe, predvsem oblasti, obravnavani kot grožnja trenutnim strukturam. Kljub prispevku, ki ga ima bogato kulturno ustvarjanje in razvoj tistih najžlahtnejših vrednot, oblast njihovega delovanja proti njej sami ne podpira. Nasprotno, velikokrat ga celo otežuje. Diplomsko delo predstavlja glavne značilnosti samoniklih prizorišč kot središč alternativne kulture. Za lažje razumevanje odnosa le-teh do širše družbe so najprej opredeljeni temeljni pojmi iz področja kulture, predvsem za pričujoče delo relevantna pojma subkultur in alternativne kulture. Nadaljnje so pojasnjeni pojmi, ki se nanašajo na te prostore drugačnosti. Podrobneje so predstavljeni nastanek, značilnosti prostorov, delovanja in akterjev ter prispevek, ki ga imajo takšna prizorišča v družbi. Naslednje večje poglavje je namenjeno analizi odnosa predvsem državnih in lokalnih oblasti. V empiričnem delu sta predstavljena primera dveh tipičnih samoniklih prizorišč v Kranju in v Kopru.
Keywords:družbena gibanja, subkulture, alternativne kulture, uporništvo, skvotiranje, diplomske naloge
Place of publishing:[Ljubljana
Place of performance:[Ljubljana
Publisher:A. Šulc]
Year of publishing:2015
Year of performance:2015
Number of pages:49 str.
PID:20.500.12556/DKUM-54270 New window
UDC:316.6(043.2)
COBISS.SI-ID:3027690 New window
NUK URN:URN:SI:UM:DK:LRHZXTY8
Publication date in DKUM:19.10.2015
Views:1545
Downloads:314
Metadata:XML DC-XML DC-RDF
Categories:FVV
:
ŠULC, Ajda, 2015, Samonikla prizorišča : središča alternativne kulture [online]. Bachelor’s thesis. Ljubljana : A. Šulc. [Accessed 23 April 2025]. Retrieved from: https://dk.um.si/IzpisGradiva.php?lang=eng&id=54270
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Secondary language

Language:English
Title:GRASS-ROOTS VENUES: CENTRES OF ALTERNATIVE CULTURE
Abstract:Grass-roots venues are the product of non-governmental, alternative and autonomous initiatives of individuals that are trying to create different culture and more fair community. For this purpose they often squat and rearrange empty buildings, in which they organize a variety of events with socially-critical content. They also offer other sympathizers the possibility of active leisure, informal learning, co-creation of culture and development of social criticism. Together they build a community, different from the ‘outside world’, within which they reject many values and norms of the current exploitative system, and generate their own values. These are reflection of rebellion and opposition to consumerism, inequalities in society, evaluation of only material goods, loss of sense for fellow persons, discrimination and individualism. This takes them out of conformity with the majority. And for that they are often being treated as threat to the current social structure by the wider society, especially the authorities. Despite the contribution that they make with rich cultural creation and development of those most noble values, the authorities obviously don’t support them in their anti-authorities actions. This thesis presents the main characteristics of the grass-roots venues as centers of alternative culture. For easier understanding of the relationship between them and wider society it first define basic concepts about culture. Further, the concepts that relate to those different venues are explained. It presents more information about formation, characteristics and the contribution of grass-roots venues to the society. Next major section analyzes the relationship of the state and local authorities towards the alternative culture. In the end, empirical part presents the cases of two typical grass-roots venues from Kranj and Koper.
Keywords:grass-roots venues, alternative culture, rebellion, alternative clubs, anti-capitalism, DIY, squatting, subcultures


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