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Title:POSTMODERN SLAVE NARRATIVE
Authors:ID Rošer, Nina (Author)
ID Kennedy, Victor (Mentor) More about this mentor... New window
Files:.pdf UNI_Roser_Nina_2013.pdf (997,09 KB)
MD5: 3F6BF40AA3ED6DD7B5142F92DF60641A
PID: 20.500.12556/dkum/5e5339ee-168e-4f0a-9af5-e452a49c4c5a
 
Language:English
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Abstract:The aim of this diploma is to show the development and characteristics of slave narratives by analysing the novel Beloved by Toni Morrison and Quentin Tarantino’s film Django Unchained. The aim is also to show the impact that African-American history (particularly slavery) has had on African American literature. Slavery is one of the main themes of African American writers, particularly in the 18th century; however, it is also an important subject of modern literature and writers. One of those is Toni Morrison, who is a literary voice of slave literature and whose work seeks to shed a light on the problems of African American people. For this purpose the novel Beloved is discussed. The book is a narration of the traumatic experience of slavery. In the same way, directors try to keep the memory of slavery alive in their films. One of those is Quentin Tarantino, who directed the latest film about slavery Django Unchained.
Keywords:Slavery, African American Literature, Slave Narrative, Neo-slave Narrative, Toni Morrison, Beloved, Django Unchained
Place of publishing:Maribor
Publisher:[N. Rošer]
Year of publishing:2013
PID:20.500.12556/DKUM-40663 New window
UDC:821.111(73)(043.2)
COBISS.SI-ID:19965960 New window
NUK URN:URN:SI:UM:DK:E3WZMDU0
Publication date in DKUM:08.07.2013
Views:2488
Downloads:161
Metadata:XML DC-XML DC-RDF
Categories:FF
:
ROŠER, Nina, 2013, POSTMODERN SLAVE NARRATIVE [online]. Bachelor’s thesis. Maribor : N. Rošer. [Accessed 20 January 2025]. Retrieved from: https://dk.um.si/IzpisGradiva.php?lang=eng&id=40663
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Secondary language

Language:Slovenian
Title:POSTMODERNA SUŽENJSKA PRIPOVED
Abstract:Cilj diplomske naloge je pokazati razvoj in značilnosti suženjskih pripovedi in le-te prikazati na primeru analize knjige avtorice Toni Morrison Ljubljena ter Quentin Tarantinovega filma Django brez okovov. Prav tako je namen prikazati vpliv afroameriške zgodovine (predvsem suženjstva) na afroameriško literaturo. Suženjstvo je ena izmed glavnih tem afroameriških pisateljev predvsem v 18. stoletju, k tej temi pa se vračajo tudi pisatelji moderne književnosti. Ena izmed teh je Toni Morrison, ki velja za literarni glas suženjske literature in skuša v svojih delih osvetliti probleme afroameriškega ljudstva. V ta namen je predstavljen roman pisateljice Morrison Ljubljena, ki je pripoved o travmatičnih izkušnjah suženjstva. Prav tako skušajo spomin na suženjstvo ohraniti režiserji v svojih delih. Eden izmet takih je Quentin Tarantino, ki je režiral najnovejši film o suženjstvu Django brez okovov.
Keywords:suženjstvo, afroameriška literatura, suženjske pripovedi, neo-suženjske pripovedi, Toni Morrison, Ljubljena, Django brez okovov.


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