Your browser does not allow JavaScript!
JavaScript is necessary for the proper functioning of this website. Please enable JavaScript or use a modern browser.
|
|
SLO
|
ENG
|
Cookies and privacy
DKUM
EPF - Faculty of Business and Economics
FE - Faculty of Energy Technology
FERI - Faculty of Electrical Engineering and Computer Science
FF - Faculty of Arts
FGPA - Faculty of Civil Engineering, Transportation Engineering and Architecture
FKBV - Faculty of Agriculture and Life Sciences
FKKT - Faculty of Chemistry and Chemical Engineering
FL - Faculty of Logistic
FNM - Faculty of Natural Sciences and Mathematics
FOV - Faculty of Organizational Sciences in Kranj
FS - Faculty of Mechanical Engineering
FT - Faculty of Tourism
FVV - Faculty of Criminal Justice and Security
FZV - Faculty of Health Sciences
MF - Faculty of Medicine
PEF - Faculty of Education
PF - Faculty of Law
UKM - University of Maribor Library
UM - University of Maribor
UZUM - University of Maribor Press
COBISS
Faculty of Business and Economic, Maribor
Faculty of Agriculture and Life Sciences, Maribor
Faculty of Logistics, Celje, Krško
Faculty of Organizational Sciences, Kranj
Faculty of Criminal Justice and Security, Ljubljana
Faculty of Health Sciences
Library of Technical Faculties, Maribor
Faculty of Medicine, Maribor
Miklošič Library FPNM, Maribor
Faculty of Law, Maribor
University of Maribor Library
Bigger font
|
Smaller font
Introduction
Search
Browsing
Upload document
For students
For employees
Statistics
Login
First page
>
Show document
Show document
Title:
RISBA: MED FIGURALNIM IN ABSTRAKTNIM
Authors:
ID
Aberšek, Maruša
(Author)
ID
Grajfoner, Samuel
(Mentor)
More about this mentor...
Files:
MAG_Abersek_Marusa_2016.pdf
(3,90 MB)
MD5: 3838487ABD4BEC4BF56A7F948F925356
Language:
Slovenian
Work type:
Master's thesis/paper
Typology:
2.09 - Master's Thesis
Organization:
PEF - Faculty of Education
Abstract:
Magistrsko delo temelji na raziskovanju risbe kot temelju vsakega likovnega ustvarjanja. V magistrskem delu smo obravnavali prvinsko funkcijo risbe, katera lahko privede do samostojnega likovnega dela ali pa služi le kot predpriprava za nadaljnje delo. Pojasnili smo pojem skica, v kateri se že lahko kažejo težnje po likovni artikulaciji v drugem mediju in nam je zgolj v pomoč ali pa tudi ne in ostane na nivoju skice. V nadaljevanju smo obravnavali linijo kot osnovni element risbe. V delu nas je zanimal predvsem spontani in prvinski pristop k likovnemu ustvarjalnemu delu in prav risba je tista, ki nam to omogoča. Zato smo v nalogi obravnavali grafično risbo, katera zaradi specifike grafičnega medija risbi daje posebno izrazno noto. V nalogi smo obravnavali risbo kot podobo, kjer figuralno povezujemo z estetskim pojmom posnemanja. Zaradi postopnega prehajanja podobe iz predmetnega v abstraktno, smo obravnavali abstraktno umetnost in z njo pomembne avtorje, kot so Kandinski, Picasso, Malevič in Mondrian. S Picassovim redukcionizmom smo predstavili sestop iz predmetnega v nepredmetno. Prav tako smo se oprli na Maleviča in Mondriana, ki sta se kot začetnika t. i. geometrijske abstrakcije začela zanimati za čiste oblike in barve. Preko obravnave postopnega redukcionizma smo v delo vključili tudi svoje lastno izražanje, kjer izpostavljamo prvinskost risbe in njeno izrazno moč.
Keywords:
risba
,
risarska artikulacija
,
grafična risba
,
skica
,
mimezis
,
podoba
,
figuralno
,
abstraktno
Place of publishing:
Maribor
Publisher:
[M. Aberšek]
Year of publishing:
2016
PID:
20.500.12556/DKUM-63459
UDC:
741(043.2)
COBISS.SI-ID:
22744584
NUK URN:
URN:SI:UM:DK:VVU2VEMT
Publication date in DKUM:
09.11.2016
Views:
2187
Downloads:
247
Metadata:
Categories:
PEF
Cite this work
Plain text
BibTeX
EndNote XML
EndNote/Refer
RIS
ABNT
ACM Ref
AMA
APA
Chicago 17th Author-Date
Harvard
IEEE
ISO 690
MLA
Vancouver
:
ABERŠEK, Maruša, 2016,
RISBA: MED FIGURALNIM IN ABSTRAKTNIM
[online]. Master’s thesis. Maribor : M. Aberšek. [Accessed 13 April 2025]. Retrieved from: https://dk.um.si/IzpisGradiva.php?lang=eng&id=63459
Copy citation
Average score:
0.5
1
1.5
2
2.5
3
3.5
4
4.5
5
(0 votes)
Your score:
Voting is allowed only for
logged in
users.
Share:
Similar works from our repository:
Editorial
Uvodnik
Poznavanje detektivske dejavnosti v Republiki Sloveniji
Spoštovane bralke in bralci!
Zaščita živali v Republiki Sloveniji
Similar works from other repositories:
Uspešno in učinkovito protipoplavno ukrepanje v Republiki Sloveniji
O stanovanjski segregaciji
Upravljanje in financiranje nepremičninskih stanovanjskih skladov
Vstop in prebivanje tujcev v Republiki Sloveniji
Upravni spor
Hover the mouse pointer over a document title to show the abstract or click on the title to get all document metadata.
Secondary language
Language:
English
Title:
DRAWING: BETWEEN FIGURATIVE AND ABSTRACT
Abstract:
The following master's thesis is based on exploring a drawing as a basis for every artistic creation. We considered its primal function which can lead to an independent work of art or it can serve only as a pre-preparation for futher work. We explained the notion of a sketch that can already show a tendency to an artistic articulation in another medium and can only serve us as a means of help or it can remain on the level of a sketch. Further on we study the line as the basic element of a drawing. We are mainly interested in a spontaneous and primal approach towards artistic creative work and the drawing enables us this. Therefore the thesis deals with the graphic drawing which through its specific of graphic medium gives the drawing a special expressive touch. The thesis treats the drawing as a figure and the figurality is related to the estetic notion of imitation. Because the figure gradually transists from objective to abstract, we discussed abstract art and some of its greatest authors such as Kandinski, Picasso, Malevič and Mondrian. Picasso's reductionism was used to present the descent from objective to nonobjective. We also discussed Malevič and Mondrian who were the pioneers of the so called geometric abstraction and who later on showed their interest in clear shapes and colours. Besides the consideration of gradual reductionism, this thesis also includes our own expression in which we emphasise the primal function of a drawing and its expressive power.
Keywords:
drawing
,
drawing articulation
,
graphic drawing
,
sketch
,
mimesis
,
figure
,
figurally
,
abstract
Comments
Leave comment
You must
log in
to leave a comment.
Comments (0)
0 - 0 / 0
There are no comments!
Back
