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Title:
LASTNA PODOBA IN NJENA RECEPCIJA
Authors:
ID
Pamič, Irena
(Author)
ID
Balažic, Janez
(Mentor)
More about this mentor...
Files:
UN_Pamic_Irena_2015.pdf
(4,22 MB)
MD5: 58F4F652705DDF55E42F8B00AE8D8E25
Language:
Slovenian
Work type:
Undergraduate thesis
Typology:
2.11 - Undergraduate Thesis
Organization:
PEF - Faculty of Education
Abstract:
Diplomsko delo z naslovom »Lastna podoba in njena recepcija« obravnava analizo naslikane lastne podobe (avtoportret) kot likovnega motiva in se naslanja na formalno likovni, umetnostnozgodovinski in socialnopsihološki vidik. Predstavljeni in analizirani slikarski avtoportreti zrcalijo fizične in značajske poteze umetnika, medtem ko uporaba barvne palete, način slikarske poteze, kompozicija, prostor, morfologija in ikonografija, kažejo na umetnosti slog ter odsev časa. Avtoportret je motiv, kjer sta portretiranec in portretist ena in ista oseba zato je opazovanje tega motiva zahtevnejše, saj so iztočnice za opazovanje nekoliko drugačne kakor pri portretu. Značilni pokazatelji avtoportretne podobe so: slikarsko stojalo, paleta, čopič, ogledalo in umetnikove oči, ki so posebnost takšnega motiva. V umetnostni zgodovini velja označba »avtoportretni pogled«, ki je velikokrat pomagal odkriti podobe slikarjev v velikih kompozicijah, vendar se ta pogled ne more skriti niti takrat, kadar se umetnik upodobi sam na platnu. Avtoportretnemu pogledu gledalec ne more uiti, kakor tudi umetnik ni mogel uiti pred samim seboj in svojo zrcalno podobo. Avtoportret je podoba v kateri je zapisano umetnikovo življenje in ostaja živ za vedno.
Keywords:
AVTOPORTRET
,
RECEPCIJA
,
OGLEDALO
,
ZRCALJENA PODOBA
,
AVTOPORTRETNI POGLED.
Place of publishing:
Maribor
Publisher:
[I. Pamič]
Year of publishing:
2015
PID:
20.500.12556/DKUM-47477-950c3ada-7eee-ca2e-37a4-5e9f822a67be
UDC:
7.041.53(043.2)
COBISS.SI-ID:
21320200
NUK URN:
URN:SI:UM:DK:TIWN51PV
Publication date in DKUM:
22.04.2015
Views:
2026
Downloads:
373
Metadata:
Categories:
PEF
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Vancouver
:
PAMIČ, Irena, 2015,
LASTNA PODOBA IN NJENA RECEPCIJA
[online]. Bachelor’s thesis. Maribor : I. Pamič. [Accessed 13 April 2025]. Retrieved from: https://dk.um.si/IzpisGradiva.php?lang=eng&id=47477
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Secondary language
Language:
English
Title:
SELF-PORTRAIT AND ITS RECEPTION
Abstract:
Diploma thesis entitled “Self-portrait and its reception” deals with the analysis of painted self-image (self-portrait) as a motif and leans on the formal art, art history and social-psychological aspect. Represented and analyzed paint self-portraits reflect artist’s physical and character traits, while the usage of color palette, way of brush strokes, composition, space, morphology and iconography show the art style and reflection of time. Self-portrait is a motif, where the portrayed person and portrait painter are the same person, so the observation of this particular motif is more difficult, because the cues for observation are slightly significant than the one of the portrait. Distinctive indicators of self-portrait image are: paint stand, palette, brush, mirror and artist’s eyes, which are motif’s special feature. The art history labels “self- portrait glance”, that has often helped to discover painters’ images in the large composition. This glance cannot be hidden even when the artist depicts himself on the canvas. Self-portrait glance cannot escape to the spectator the same as the artist cannot run away from himself and his own mirror image. A self-portrait is an image, where the artist’s life is written and is alive forever.
Keywords:
SELF-PORTRAIT
,
RECEPTION
,
MIRROR
,
MIRROR IMAGE
,
SELF-PORTRAIT VIEW
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