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DKUM
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Title:
UMETNIŠKE PRAKSE IN RAZVOJ MODNE FOTOGRAFIJE
Authors:
ID
Rukavina, Mirjana
(Author)
ID
Balažic, Janez
(Mentor)
More about this mentor...
Files:
UNI_Rukavina_Mirjana_2013.pdf
(4,17 MB)
MD5: 20AEA09A4C79BCC8F9D72698287E542F
PID:
20.500.12556/dkum/692798fc-7649-4ecb-8686-d5a1f6ce7297
Language:
Slovenian
Work type:
Undergraduate thesis
Typology:
2.11 - Undergraduate Thesis
Organization:
PEF - Faculty of Education
Abstract:
Namen diplomske naloge je vzpostaviti analitičen odnos do modne fotografije kot najpogostejše oblike modne predstavitve in njene specifične navezave na umetnost. Želim prikazati, kako se je sodobna modna fotografija skozi zgodovinski razvoj od osnovne funkcije predstavitve modnega oblačila oddaljila in prestopila v umetniški kontekst; kako se je emancipirala in našla svoje mesto tudi v muzejih in galerijah sodobne umetnosti. Vsebina diplomske naloge temelji na deskriptivni, zgodovinski, komparativni metodi, metodi analize in sinteze ter metodi abstrakcije in konkretizacije. V teh metodah sem obdelala besedila avtorjev s tematskega področja prepleta mode in umetnosti, zgodovine modne fotografije in zgodovine specifičnih umetniških obdobij. Opisala, analizirala in primerjala sem modne fotografije, umetniška dela in različne sovpadajoče umetniške smeri, oblike modnih predstavitev, ki pač vključujejo umetniške prakse. Snov sem dodatno nadgradila z večletnimi osebnimi delovnimi izkušnjami pri magazinih in neodvisnih institucijah s področja mode in umetnosti. V svoje delo vključujem globalen pogled na modno fotografijo, pri čemer sem črpala iz tekoče produkcije odvisnih in neodvisnih modnih magazinov. Pričujoča obravnava v okviru diplomskega dela pokaže, da je vpliv avtorskega izraza v modni fotografiji in zavestne vključitve umetniških praks v modno industrijo (prezentacije) pripeljal do emancipacije modne fotografije in do brisanja meja med komercialnim in umetniškim delom.
Keywords:
modna fotografija
,
modna fotografija in umetnost
,
grunge in heroin chic
,
modno oblikovanje na Dunaju
,
dunajski akcionizem
,
odvisni in neodvisni modni magazini
Place of publishing:
Maribor
Publisher:
[M. Rukavina]
Year of publishing:
2013
PID:
20.500.12556/DKUM-40039
UDC:
391:77.041(043.2)
COBISS.SI-ID:
19808520
NUK URN:
URN:SI:UM:DK:Z5ZUWL2K
Publication date in DKUM:
17.04.2013
Views:
3115
Downloads:
388
Metadata:
Categories:
PEF
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:
RUKAVINA, Mirjana, 2013,
UMETNIŠKE PRAKSE IN RAZVOJ MODNE FOTOGRAFIJE
[online]. Bachelor’s thesis. Maribor : M. Rukavina. [Accessed 12 April 2025]. Retrieved from: https://dk.um.si/IzpisGradiva.php?lang=eng&id=40039
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Secondary language
Language:
English
Title:
ART PRACTICES AND DEVELOPMENT OF FASHION PHOTOGRAPHY
Abstract:
It is the purpose of this thesis to establish an analytical approach towards fashion photography as the most frequent form of the presentation of fashion and its specific reference to art. I intend to show how modern fashion photography through its historical development has moved away from a basic representation of the function of fashionable garments and entered an artistic context; how it became emancipated and found its way into modern art museums and galleries. The content of the thesis is based on descriptive, historical, comparative methods, the method of analysis and synthesis, and the method of abstraction and concretisation. By the use of these methods, I have considered authorial texts from the field of fashion and art interlacement, the history of fashion photography and the specific historical art periods. I have described, analysed and compared fashion photographs, art works and various coinciding art directions, as well as forms of fashion presentation that include artistic practices. I gave added value to the subject from many years of personal experience working with magazines and independent institutions in the field of fashion and art. In my thesis, I have incorporated a global view of fashion photography, while I drew the material from the current production of mainstream and independent fashion magazines. The present discussion within this thesis shows that the influence of authorial expression in fashion photography and the conscious inclusion of art practices into the fashion industry (presentations) has led to an emancipation of fashion photography and a fading of the boundaries between commercial and artistic work.
Keywords:
Fashion photography
,
Fashion photography and art
,
Grunge and heroin chic
,
Vienna fashion design
,
Vienna Actionism
,
Mainstream and independent fashion magazines
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