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DKUM
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Title:
UJETI TRENUTKI GIBANJA IN GRAFIKA
Authors:
ID
Petek, Nika
(Author)
ID
Grajfoner, Samuel
(Mentor)
More about this mentor...
Files:
UNI_Petek_Nika_2011.pdf
(6,53 MB)
MD5: 4CB758DF6CD56227F525F27EBB65558C
PID:
20.500.12556/dkum/473ac9bf-2781-45c1-a047-103ac16e4c6a
Language:
Slovenian
Work type:
Undergraduate thesis
Organization:
PEF - Faculty of Education
Abstract:
Pričujoče diplomsko delo je sestavljeno iz teoretičnega in praktičnega dela, pri čemer je praktični del vsebinsko vezan na teoretičnega. V teoretičnem delu smo najprej opredelili pojem gibanja, predstavili zgodovino preučevanja gibanja ter pojasnili pojme gibanje, figura in silhueta. V nadaljevanju smo se lotili pojma fotografije, kjer smo pojasnili zaporedno fotografijo in gibanje ter predstavili vlogo in vpliv fotografije na umetnika. V povezavi s praktičnim delom smo nato tudi predstavili iluzijo gibanja s poudarkom na animaciji in animacijskih tehnikah. Predstavili smo tudi britanskega umetnika Juliana Opiea, ki pri ustvarjanju svojih raznolikih umetniških del uporablja za prikaz iluzije gibanja animacijske tehnike. V poglavju grafika smo na kratko predstavila pojem in pomen le-te ter predstavili dva umetnika, ki ustvarjata zanimiva grafična dela, Alena Kučerová in Lino Mannocci. Jedro dela predstavlja šesto poglavje, ujeti trenutki gibanja in grafika, ki je hkrati tudi praktični del diplomskega dela. V njem sem skozi grafična dela, v tehniki suhe igle črno-belega tiska, ki ima še dodatno izrazno moč, prikazala ujete trenutke gibanja figure. Za izdelavo grafik so mi za predloge služile fotografije. Ujeto figuro v gibanju, silhueto le-te, sem tako prenesla iz fotografije na matrico. Natančno sem izbrala položaj, smer, velikost silhuetne figure in format grafike ter skozi silhuetni pristop k formi predstavila posamično grafično delo, na katerem sem skušala zajeti ekspresivno moč danega ujetega trenutka. Posamična grafična dela sem na koncu združila v skupno celoto s pravim zaporedjem grafičnih del in s klasično obliko animacije poskušala ustvariti iluzijo gibanja.
Keywords:
gibanje
,
fotografija
,
grafika
,
suha igla
,
figura
,
animacija
Place of publishing:
Maribor
Publisher:
[N. Petek]
Year of publishing:
2011
PID:
20.500.12556/DKUM-17589
UDC:
73/76(043.2)
COBISS.SI-ID:
18340360
NUK URN:
URN:SI:UM:DK:K9VWHNVX
Publication date in DKUM:
12.05.2011
Views:
2602
Downloads:
346
Metadata:
Categories:
PEF
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:
PETEK, Nika, 2011,
UJETI TRENUTKI GIBANJA IN GRAFIKA
[online]. Bachelor’s thesis. Maribor : N. Petek. [Accessed 13 April 2025]. Retrieved from: https://dk.um.si/IzpisGradiva.php?lang=eng&id=17589
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Secondary language
Language:
English
Title:
CAPTURED MOMENTS OF MOTION AND PRINTMAKING
Abstract:
The diploma work consists of a theoretical and a practical part, whereby the contents of the practical part are closely bound to the theoretical part. In the theoretical part we first defined the notion of movement, presented the history of movement study and explained the concept of movement, figure and silhouette. Furthermore, we defined the concept of photography, where we explained the consecutive picture and movement, and presented the role and influence of photography on an artist. In connection with the practical part, we presented the illusion of movement with the emphasis on animation and animation techniques. Moreover, we presented the British artist Julian Opie, who uses animation techniques to show the illusion of movement in his diverse artistic works. We discussed the concept and meaning of printmaking and presented two artists, Alena Kučerova and Lino Mannocci who create interesting printmaking works. The practical and the most important part of the diploma work is called Captured Moments of Motion and Printmaking. In this chapter captured moments of figure movement are shown through prints in the technique of dry point of black and white printing which has an extra expressional power. As an outline for making prints I used photos and transferred a captured figure into a movement, i.e. its silhouette, from the photo onto a matrix. The position, direction and size of the silhouette figure and the size of the print were chosen carefully. Single print work on which I tried to capture the expressive power of the given moment, was presented through the silhouette accession to the form. FiInally, I united all the prints into a common whole with the right sequence of print and tried to create an illusion of movement with classic form of animation.
Keywords:
movement
,
photography
,
prints
,
dry point
,
figure
,
animation
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