GRAFIKA IN KOLAŽ

Nemec, Petra

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Title:	GRAFIKA IN KOLAŽ
Authors:	ID Nemec, Petra (Author) ID Grajfoner, Samuel (Mentor) More about this mentor...
Files:	UNI_Nemec_Petra_2010.pdf (6,67 MB) MD5: 7B4E95F51C9B8D615641FECA4FDADA63 PID: 20.500.12556/dkum/fe305a95-05c7-4712-a11d-e81e3dd47da2
Language:	Slovenian
Work type:	Undergraduate thesis
Organization:	PEF - Faculty of Education
Abstract:	Diplomska naloga je osredotočena na kolažiranje različnih medijev v grafiki. Del vsebine zajema predstavitev grafičnih tehnik globokega tiska, ki jih je avtorica osvojila v grafičnem studiu Edinburgh Printmakers. Predstavljeni so tudi različni mediji, kot so kolaž, fotografija, risba in grafika, v medsebojnem odnosu. V drugem delu je izvedena primerjava posameznih del slovenske grafičarke Zore Stančič z deli avtorice tega diplomskega dela. Vsako izmed del je razloženo z vidika izpričanih kolažnih lastnosti, uporabe posameznega medija in likovnega problema. Avtorica se je odločila za primerjavo svojih del in del Zore Stančič z vidika kolažne tehnike, in to zaradi njunega neprestanega raziskovanja in kombiniranja drugih medijev v grafiko. Preučila je tipične značilnosti kolaža in možnosti, ki nam jih ta tehnika ponuja. Raziskovala je odnos med kolažem in grafiko ter drugimi mediji in grafiko v Zorinih in svojih delih ter predstavila, v katerih njunih delih se prepozna princip kolaža, in ga razložila. Na osnovi obravnavanih grafik je skušala odkriti tako tendence te tehnike kot načine izvedbe. Preko tega je razvidno, da so tendence kolaža prisotne v vseh predstavljenih delih in da je kolažiranje različnih medijev mogoče in lahko tudi zelo kvalitetno. Pridobivanje informacij o temi je potekalo z deskriptivno, zgodovinsko in komparativno metodo. Uporabljeni so bili primarni in sekundarni viri ter viri s spletnih strani avtorjev in projektov. Namen diplomskega dela je preučiti možnosti kolažiranja različnih medijev v grafiki in raziskati vzrok za tovrstno kolažiranje. Hkrati pa medsebojno primerjati njune grafike in njihov nastanek.
Keywords:	grafika, različni mediji, fotografija, risba, kolaž, kolažiranje, sodobni pripomočki, tradicionalni postopek
Place of publishing:	Maribor
Publisher:	[P. Nemec]
Year of publishing:	2010
PID:	20.500.12556/DKUM-14474
UDC:	73/76(043.2)
COBISS.SI-ID:	17728520
NUK URN:	URN:SI:UM:DK:FMTQAOL6
Publication date in DKUM:	07.07.2010
Views:	4857
Downloads:	397
Metadata:
Categories:	PEF
:	NEMEC, Petra, 2010, GRAFIKA IN KOLAŽ [online]. Bachelor’s thesis. Maribor : P. Nemec. [Accessed 12 April 2025]. Retrieved from: https://dk.um.si/IzpisGradiva.php?lang=eng&id=14474 Copy citation

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Secondary language

Language:	English
Title:	PRINTMAKING AND COLLAGE
Abstract:	The bachelor’s degree thesis focuses on combining different media in the field of printmaking. The first part consists of a presentation of intaglio graphic techniques, which the author learned at the Edinburgh Printmakers graphics studio. Different media are presented, such as collage, photography, drawing, and prints, as well as the relationship between them. In the second part, the author carries out a comparison of individual works by the Slovene graphic artist Zora Stančič with works created by the author of the thesis. Each work is explained from the perspective of its evident collage properties, use of individual media, and artistic problem. The author decided to compare her own works with those of Zora Stančič from the perspective of the employment of the collage technique since both artists are devoted to constantly researching and combining printmaking with other media. She analyzed typical characteristics of the collage technique and the possibilities this technique offers. She analyzed both Zora Stančič’s and her own works from the perspective of the relationship between collage and printmaking, and between printmaking and other media. She pointed out the works in which the collage principle can be identified, which then she further explained. By examining individual works the author attempted to uncover the tendencies of printmaking, as well as different means of its employment. In doing so it became evident that some collage tendencies are present in all the presented works and that combining different media is not only possible, but can also lead to high quality results. The information on the topic presented was obtained by means of descriptive, historical, and comparative methods. The author used primary and secondary sources, as well as the web sites of artists, and projects. The purpose of the thesis was to analyze the possibilities of employing a collage of different media in the printmaking, to research the reasons for doing such, and to compare the graphic works of the two artists and their origins.
Keywords:	graphics, different media, photography, drawing, collage, combining different media, modern tools, traditional procedure

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