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Title:Umetnost 1. polovice 20. stoletja kot izhodišče za specifično terapevtsko produkcijo
Authors:ID Jahić, Tanisa (Author)
ID Balažic, Janez (Mentor) More about this mentor... New window
ID Kremžar Jovanovič, Borjana (Comentor)
Files:.pdf MAG_Jahic_Tanisa_2019.pdf (5,18 MB)
MD5: 97134DBCD9C3A6556A46112A29CEAF2A
PID: 20.500.12556/dkum/ef0d9e05-ecf2-4507-8dd7-dc76159de512
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Abstract:Umetnost 20. stoletja je zaznamovala drugačnost, ki je postavila temelje delovni terapiji in tako postala tudi pomembno terapevtsko sredstvo v sodobni medicini. V prvem delu se dotaknemo začetkov in pomembnih dogodkov v umetnosti prve polovice 20. stoletja, kjer predstavimo nekaj primerov, ki so že elaborirani v okviru študij o nezavednem, Freudovo in Jungovo analizo, ki je vplivala na takratno avantgardo. Skušamo orisati, zakaj so likovna dela psihotičnih pacientov pritegnila takrat delujoče umetnike, da so zavrnili tradicionalne vrednote ter spremenili način in pristope k likovnemu delu. Temeljni cilj je proučiti, ali spoznanja iz univerzalne likovne produkcije, tako pretekle kot sedanje, lahko pomagajo oziroma so pomagala k izoblikovanju kvalitativnih prijemov za terapevtsko delo. Predpostavljamo, da primeri iz zgodovine umetnosti pomagajo pri razumevanju del pri specifičnih skupinah. Nadaljujemo z orisom likovne terapije, s primerjavo z edukacijo, z vlogo terapevta pri likovnih terapijah, s pristopom do likovnega dela in z analizo pacientovega ustvarjalnega dela. Cilj empiričnega dela je, preveriti že znane metode v prakticiranju likovnih terapij na Oddelku za psihiatrijo v Mariboru. Pri tem smo zasledovali način izbire motivov in posebnosti ob izbiri ter poskušali s pomočjo anketnega vprašalnika ugotoviti vzroke za takšne odločitve. Sledila je še interpretacija teh v dialogu z likovnih terapevtom.
Keywords:modernizem, Art Brut, dadaizem, nadrealizem, Freud, likovna terapija, psihiatrija
Place of publishing:Maribor
Publisher:[T. Jahić]
Year of publishing:2019
PID:20.500.12556/DKUM-75583 New window
UDC:7:615.851.8(043.2)
COBISS.SI-ID:25084936 New window
NUK URN:URN:SI:UM:DK:QSULYJVR
Publication date in DKUM:27.01.2020
Views:1431
Downloads:265
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:11.12.2019

Secondary language

Language:English
Title:The art of the first half of the 20th century as the basis for specific therapeutic production
Abstract:20th century art was marked by diversities, which laid the foundations for occupational therapy and thus became an important therapeutic agent in contemporary medicine. In the first part, we put our focus on the beginnings and important events in the art of the first half of the 20th century, where we present some examples that are already elaborated in the context of studies on the unconscious, Freud's and Jung's analysis that influenced the avant-garde of that time. We try to outline why the artwork of psychotic patients attracted artists of the time to reject traditional values and changed their ways and approaches to art work. The grand goal is to examine whether the lessons learned from universal art production, both past and present, can or have helped to formulate qualitative approaches to therapeutic work. We continue with the outline of art therapy, with comparison with education, with the role of the therapist in art therapies, with the approach to art work and with the analysis of the patient's creative work. The aim of the empirical work is to test already known methods in the practice of art therapies at the Department of Psychiatry in Maribor. In doing so, we pursued a method of selecting motives and specificities when choosing, and tried to find out the reasons for such decisions by means of a questionnaire. This was followed by an interpretation of these in dialogue with the art therapist.
Keywords:modernism, Art Brut, dadaism, surrealism, Freud, art therapy, psychiatry


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