Prvih deset let kiparske zbirke Moderne galerije v Ljubljani

Dimc, Vanja

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Naslov:	Prvih deset let kiparske zbirke Moderne galerije v Ljubljani
Avtorji:	ID Dimc, Vanja (Avtor) ID Murovec, Barbara (Mentor) Več o mentorju...
Datoteke:	MAG_Dimc_Vanja_2019.pdf (2,45 MB) MD5: 946EB511456628B7C0F25614FE0C56BC PID: 20.500.12556/dkum/03c16a83-f19f-4399-bfdf-f324163702af
Jezik:	Slovenski jezik
Vrsta gradiva:	Magistrsko delo/naloga
Tipologija:	2.09 - Magistrsko delo
Organizacija:	FF - Filozofska fakulteta
Opis:	Magistrska naloga obravnava nastajanje in oblikovanje kiparske zbirke Moderne galerije v Ljubljani, v obdobju od ustanovitve te nacionalne institucije za moderno in sodobno umetnost leta 1948 do konca petdesetih let 20. stoletja. Osrednji del naloge je posvečen analizi načinov pridobivanja kiparskih del za zbirko. Dela so bila delno prevzeta od Narodne galerije, delno so prišla v zbirko z odkupi neposredno od avtorjev, manjši delež skulptur pa je galerija pridobila z nakupom od Umetniške zadruge Ljubljana in z darovi od umetnikov oziroma Republiškega sekretariata za prosveto in kulturo. V nalogi je najprej predstavljeno, kako sta bili razmejeni kiparski zbirki Narodne in Moderne galerije ter kako in kdaj so potekali prevzemi umetnin, dela katerih avtorjev so bila oddana za nastajajočo zbirko Moderne galerije, predstavljene pa so tudi ugotovitve raziskovanja provenience prenesenih del. V nadaljevanju so obravnavani nakupi umetnin, najprej od Umetniške zadruge Ljubljana, pri kateri je pojasnjen namen ustanovitve zadruge in njeno poslanstvo. S pregledom zakonskih uredb so bile ugotovljene zakonske podlage nakupovanja umetnin, na podlagi pregleda arhivskih virov pa je bilo mogoče ugotoviti, kdo je bil pri galeriji zadolžen za izpeljavo njihovega nakupa. Z analizo odkupljenih kiparskih del je prezentirana zbiralna politika Moderne galerije, pri čemer je posebno izpostavljen primer odkupa večjega števila del od umetnika Franceta Kralja. Sledi analiza podarjenih kiparskih del Sveta za prosveto in kulturo, ki je Moderni galeriji odstopil le nekaj kosov plastike, vendar so iz njih razvidni obrisi državne odkupne politike, pri plastiki podarjeni od umetnikov pa so predstavljena predvidevanja o razlogih za izročitev del galeriji. V zaključku naloge je novonastala zbirka postavljena v primerjalni kontekst s sočasno razstavno politiko Moderne galerije in z razvojem slovenskega kiparstva po drugi svetovni vojni. Magistrsko nalogo sklene katalog kiparskih del, v katerem so zbrani izsledki raziskovanja, predvsem podatki o provenienci del in o prezentiranosti posameznih kipov v stalni zbirki in na razstavah organiziranih v Moderni galeriji.
Ključne besede:	moderna umetnost, zbirateljstvo, 20. stoletje, Ljubljana, kiparska zbirka, Moderna galerija, Narodna galerija, Narodni muzej Slovenije, Federalni zbirni center, France Gorše, raziskovanje provenience, petdeseta leta, zbiralna politika, nakupi umetnin, France Kralj, razstavna politika, slovensko kiparstvo, Svet za prosveto in kulturo
Kraj izida:	Maribor
Založnik:	[V. Dimc]
Leto izida:	2019
PID:	20.500.12556/DKUM-74539
UDK:	069:73(497.12)(043.2)
COBISS.SI-ID:	24759304
NUK URN:	URN:SI:UM:DK:Q3B9MGCP
Datum objave v DKUM:	20.09.2019
Število ogledov:	1570
Število prenosov:	114
Metapodatki:
Področja:	FF
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Licence

Licenca:	CC BY-NC-ND 4.0, Creative Commons Priznanje avtorstva-Nekomercialno-Brez predelav 4.0 Mednarodna

Povezava:	http://creativecommons.org/licenses/by-nc-nd/4.0/deed.sl
Opis:	Najbolj omejujoča licenca Creative Commons. Uporabniki lahko prenesejo in delijo delo v nekomercialne namene in ga ne smejo uporabiti za nobene druge namene.
Začetek licenciranja:	30.08.2019

Sekundarni jezik

Jezik:	Angleški jezik
Naslov:	The First Decade of the Sculpture Collection of Museum of Modern Art in Ljubljana
Opis:	The thesis discusses the making and forming of the sculpture collection of the Museum of Modern Art in Ljubljana, from 1948 when this national institution for modern and contemporary art was founded to the end of the 50s. The main part of the thesis analyzes the ways of obtaining sculptural works for the collection. Partially, the artworks were acquired from the National Gallery of Slovenia, some were purchased directly from their authors, and a smaller part was purchased from the Art Cooperative Ljubljana and obtained in the form of gifts from the artists or from the Education and Culture Council. The thesis first presents the demarcation between sculpture collections of the National Gallery and the Museum of Modern Art, how and when the acquisitions of art pieces took place, and whose artworks were submitted to the Museum of Modern Art for its emerging sculpture collection. Moreover, research findings regarding the provenance of the transferred artworks are also presented. Next, the thesis discusses the purchases of the artworks, first from the Art Cooperative Ljubljana – the purpose of the establishment and the profession of this institution is explained as well. Through the examination of legal decrees, the legal background of purchasing artworks was established; furthermore, based on the analysis of archival sources, it was possible to determine who within the museum was responsible for carrying out the purchases. The collecting policy of the Museum of Modern Art is presented through the analysis of purchased sculptural works, with an emphasis on the case of the purchase of a larger number of works from the artist France Kralj. This is followed by an analysis of sculptural works gifted by the Education and Culture Council, which offered only a few pieces of plastic art to the Museum of Modern Art; however, these helped to unveil the outlines of national purchasing policy. The discussion concerning plastic art works gifted by the artists presents the assumptions about their reasons for donating to the museum. Finally, the newly formed collection is discussed within the comparative context of contemporary exhibition policy of the Museum of Modern Art and the development of Slovenian sculpture after the Second World War. At the end, the thesis provides a catalogue with sculptural works, which contains the assembled research findings, particularly regarding the data concerning the artworks’ provenance and the representation of individual sculptural works in the permanent collection and from exhibitions at the Museum of Modern Art.
Ključne besede:	modern art, collecting, 20th century, Ljubljana, sculpture collection, Museum of Modern Art, National Gallery of Slovenia, National Museum of Slovenia, Federal Collecting Centre, France Gorše, provenance research, the 50s, collecting policy, purchases of art pieces, France Kralj, exhibition policy, Slovenian sculpture, Education and Culture Council

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