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Title:Umetnostni spomeniki na Spodnjem Štajerskem na skicah in risbah Carla Haasa kot vir za umetnostno zgodovino
Authors:ID Kotnik, Doroteja (Author)
ID Oter Gorenčič, Mija (Mentor) More about this mentor... New window
Files:.pdf MAG_Kotnik_Doroteja_2018.pdf (2,68 MB)
MD5: 668A7B9AD97303D68FEDB7CF12B0BAD2
PID: 20.500.12556/dkum/8a726c9b-5212-4273-9684-5b2584d095b1
 
Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
Abstract:Zapuščina Carla Haasa je pomemben vir za umetnostnozgodovinsko raziskovanje, saj nam predstavi umetnostne spomenike Spodnje Štajerske v času tretje četrtine 19. stoletja, preden so začeli vanje obsežno posegati. Med zapuščino se velik del dokumentacije navezuje na umetnostne spomenike Spodnje Štajerske. Risbe predstavljajo mesta, gradove, samostane in cerkve. Iz ohranjene Haasove dokumentacije lahko razberemo, na kakšen način so popisovali umetnostne spomenike na Štajerskem. Glavna naloga Carla Haasa in njegovega naslednika Johanna Gradta je bila popis srednjeveških spomenikov Štajerske in izdelava pripadajočega zemljevida. Z ohranjenim gradivom v Haasovi zapuščini lahko rekonstruiramo deželna potovanja deželnih arheologov po Spodnjem Štajerskem. Haasovo zapuščino hrani Štajerski deželni arhiv v Gradcu, drobce velikega fonda pa hranita tudi Zavod za spomeniško varstvo kulturne dediščine Slovenije – Območna enota Celje in Informacijsko-dokumentacijski center za dediščino Ministrstva za kulturo. S pregledom obstoječih risb si lahko pomagamo pri umetnostnozgodovinskem raziskovanju spomenikov na Spodnjem Štajerskem. Pregledane in analizirane risbe so odprle nova vprašanja in prinesle nova umetnostnozgodovinska spoznanja o ptujskogorski cerkvi, župnijski cerkvi sv. Ožbalta na Ptuju, cerkvi sv. Treh kraljev v nekdanjem samostanu Studenice, cerkvi sv. Duha v Slovenj Gradcu, kartuzijah Jurklošter in Žiče. 95 % risb iz Haasove zapuščine, ki predstavljajo umetnostne spomenike na Spodnjem Štajerskem, še ni bilo objavljenih in raziskanih.
Keywords:Carl Haas, Johann Gradt, Žička kartuzija, kartuzija Jurklošter, Studenice, Ptujska Gora, Marija z Detetom, deželno potovanje, neobjavljene risbe, Spodnja Štajerska, spomeniško varstvo
Place of publishing:Maribor
Publisher:[D. Kotnik]
Year of publishing:2018
PID:20.500.12556/DKUM-72370 New window
UDC:726:2-523.3(043.2)
COBISS.SI-ID:24174088 New window
NUK URN:URN:SI:UM:DK:ZV9FANG9
Publication date in DKUM:22.11.2018
Views:1515
Downloads:301
Metadata:XML RDF-CHPDL DC-XML DC-RDF
Categories:FF
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Licences

License:CC BY-ND 4.0, Creative Commons Attribution-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nd/4.0/
Description:Under the NoDerivatives Creative Commons license one can take a work released under this license and re-distribute it, but it cannot be shared with others in adapted form, and credit must be provided to the author.
Licensing start date:20.09.2018

Secondary language

Language:English
Title:Art Monuments in Lower Styria in Sketches and Drawings by Carl Haas as a Source for Art History
Abstract:The legacy of Carl Haas is an important source for art historical research, as it presents the art monuments of Lower Styria in period of the third quarter of 19th century, that is before they were extensively interfered with. The legacy includes a large part of documents that pertain to art monuments of Lower Styria. Drawings depict towns, castles, monasteries and churches. The preserved Haas's documents reveal how art monuments in Styria were inventoried. The main assignment of Carl Haas and his follower Johann Gradt was to create an inventory of medieval monuments in Styria and design a map of monuments. The legacy of Haas helps us reconstruct the journeys of county archaeologists around Lower Styria. Styria’s county archive in Graz is the keeper of the legacy of Carl Haas. Fragments of a large fund are in the Institute for the Protection (of Monuments) of Cultural Heritage of Slovenia – Celje Regional Office and in the Heritage Information and Documentation Center, Ministry of Culture. The analysis of existent drawings is of great help in art historical research of monuments in Lower Styria. Drawings that had been examined and analyzed have opened new questions and brought new art historical understanding about the Ptujska Gora church, parish churches of St. Oswald in Ptuj, the church of the Three Kings (Sv. Trije kralji) in the former monastery Studenice, the church of the Holy Spirit in Slovenj Gradec, and the Carthusian monasteries of Jurklošter and Žiče. 95 % of drawings from the Haas legacy that depict art monuments in Lower Styria have not been studied or published on yet.
Keywords:Carl Haas, Johann Gradt, the Carthusian monastery Žiče, the Carthusian monastery Jurklošter, Studenice, Ptujska Gora, Mary with child, county travel, unpublished drawings, Lower Styria, protection of monuments


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