Literarno-likovna medmedialnost v izbranih besedilih slovenske književnosti 1. polovice 20. stoletja

Dajnko, Manuela

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Title:	Literarno-likovna medmedialnost v izbranih besedilih slovenske književnosti 1. polovice 20. stoletja
Authors:	ID Dajnko, Manuela (Author) ID Čeh Steger, Jožica (Mentor) More about this mentor...
Files:	MAG_Dajnko_Manuela_2017.pdf (2,08 MB) MD5: 535F413A4626228A5DD1DA9783B36A34 PID: 20.500.12556/dkum/c3544202-c8d0-428f-af2c-691417e64178
Language:	Slovenian
Work type:	Master's thesis/paper
Typology:	2.09 - Master's Thesis
Organization:	FF - Faculty of Arts
Abstract:	V središče raziskovanja sem postavila pojavljanje likovnih umetnin v literarnih besedilih iz obdobja 1. polovice 20. stoletja, pa tudi s konca 19. stoletja. Ob tem sem izhajala iz medmedialnosti, pri čemer sem najprej predstavila njena teoretska izhodišča, nato pa le-ta prenesla še v praktični del. Medmedialnost je razmeroma mlad pojem, ki ga lahko opredelimo kot interakcijo med različnimi mediji, kar se odraža v medsebojnem prepletanju, vzajemnem prevzemanju in sklicevanju enega medija na drugega. Ker sem se sama osredotočila na odnose med literaturo in likovno umetnostjo, me bo zanimala literarno-likovna medmedialnost. Ukvarjala sem se z besedili avtorjev, ki se uvrščajo bodisi v simbolizem bodisi v ekspresionizem oziroma se njihovo literarno snovanje umešča med obe književni smeri. Poleg Ivana Cankarja (1876–1918) vključujem še Izidorja Cankarja (1886–1958), Vojeslava Moleta (1886–1973), Ivana Preglja (1883–1960), Srečka Kosovela (1904–1926) in Ivana Dornika (1892–1968). Našteti literati so v svojih delih izpostavili različna umetniška dela. Posvetila sem se predstavitvi opisov del likovnih umetnin. Posebej me je zanimala medmedialna vloga likovnih umetnin v literarnem delu in recepcija likovne umetnosti z vidika literarnih oseb oziroma z vidika lirskega subjekta. Ugotavljala sem, katere umetnine so pisatelji izpostavili v svojih besedilih, kako so reprezentirane, kaj so pomenile v tistem času, kakšna je njihova vloga v določenem literarnem delu, kakšno mesto zavzemajo v besedilu idr. V sklepu sem strnila temeljna spoznanja iz analitičnega dela.
Keywords:	medmedialnost, moderna, ekspresionizem, likovna umetnost, Ivan Cankar, Izidor Cankar, Vojeslav Molè, Ivan Pregelj, Srečko Kosovel, Ivan Dornik
Place of publishing:	Maribor
Publisher:	[M. Dajnko]
Year of publishing:	2017
PID:	20.500.12556/DKUM-68979
UDC:	821.163.6.09:73/76(043.2)
COBISS.SI-ID:	23637768
NUK URN:	URN:SI:UM:DK:YJGSXSL1
Publication date in DKUM:	05.02.2018
Views:	1911
Downloads:	302
Metadata:
Categories:	FF
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Licences

License:	CC BY 4.0, Creative Commons Attribution 4.0 International

Link:	http://creativecommons.org/licenses/by/4.0/
Description:	This is the standard Creative Commons license that gives others maximum freedom to do what they want with the work as long as they credit the author.
Licensing start date:	15.11.2017

Secondary language

Language:	English
Title:	Literary-Fine Art Intermediality in Selected Slovenian Literary Works of the 1st Half of the 20th Century
Abstract:	The emergence of artworks in literary texts from the first half of the 20th century, as well as from the end of the 19th century, was set in the centre of this research. We have proceeded from intermediality, the theoretical groundwork of which is presented first and then applied to the practical part. Intermediality is a relatively new concept, which can be defined as an interaction between different media, reflected in their intertwining, reciprocal taking and referencing of one media onto another. Because the thesis focuses on the relationship between literature and art, the topic of the thesis will be literary-art intermediality. It deals with texts of authors who belong either to the period of symbolism or expressionism or their literary works correspond to both literary genres. Beside Ivan Cankar (1876–1918) the thesis also includes Izidor Cankar (1886–1958), Vojeslav Molè (1886–1973), Ivan Pregelj (1883–1960), Srečko Kosovel (1904–1926) and Ivan Dornik (1892–1968). The listed authors have emphasised various artworks in their writings. The thesis focuses on presenting the description of artworks. Special attention was devoted to the intermedial role of artworks in the literary work and the reception of fine art from the standpoint of the characters or the lyric subject. The task was to find which artworks were highlighted in their texts, how they were represented, what they meant in that time, what is their role in a specific literary work, what place they occupy in the text, etc. The conclusion sums up the basic findings from the analytical part.
Keywords:	intermediality, the Moderna Period, expressionism, fine art, Ivan Cankar, Izidor Cankar, Vojeslav Molè, Ivan Pregelj, Srečko Kosovel, Ivan Dornik

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