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Title:PREVERJANJE RAZLIČNIH NAČINOV RAZVIJANJA LIKOVNE APRECIACIJE
Authors:ID Švec, Andreja (Author)
ID Duh, Matjaž (Mentor) More about this mentor... New window
ID Herzog, Jerneja (Comentor)
Files:.pdf UN_Svec_Andreja_2015.pdf (1,30 MB)
MD5: 45798FADD3D19C2C8F795C3341D0CACB
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:Diplomsko delo z naslovom Preverjanje različnih načinov razvijanja likovne apreciacije je sestavljeno iz teoretičnega in empiričnega dela. Nastalo je z namenom preverjanja različnih načinov predstavitve z dvanajstimi umetniškimi deli. Ob neposrednem pedagoškem delu in na podlagi ugotovljenih rezultatov želimo najti ustrezne načine ter poti za razvijanje likovne apreciacije. V prvem delu, ki predstavlja teoretično izhodišče, smo predstavili likovno apreciacijo, zapisali njen nastanek ter pomen in možnosti razvijanja likovne apreciacije. Predstavili smo tudi likovno vrednotenje in likovno ustvarjalnost, saj sta obe dejavnosti močno povezani z likovno apreciacijo. Pri vrednotenju smo opisali vrste likovnega vrednotenja in pristope v fazi likovnega vrednotenja. Pri ustvarjalnosti smo opredelili pojem, zapisali kriterije in razložili likovno ustvarjalnost. Predstavili smo tudi njun vpliv na likovnoapreciativne sposobnosti. V drugem – empiričnem delu smo predstavili rezultate, ki smo jih pridobili z izvajanjem in s preizkušanjem različnih načinov postopnega odkrivanja z dvanajstimi umetniškimi deli sodobnih slovenskih umetnikov. Pri zbiranju podatkov smo izbrali analizo zvočnih posnetkov, ki smo jih posneli med raziskavo pri uri likovne umetnosti. Raziskovalni vzorec je zajemal učence šestih razredov s treh mariborskih osnovnih šol. Raziskava je pokazala, da so izbrani načini postopnega odkrivanja za posamezno umetniško delo različno učinkoviti, saj so nekaterim učencem bila bližje realistična dela, nekaterim pa abstraktna umetniška dela. Kljub vsemu so vsi načini postopnega odkrivanja del pri vseh predstavljenih umetniških delih v večini dosegli, da so učenci umetniška dela dobro opazovali.
Keywords:likovna apreciacija, likovno vrednotenje, likovna ustvarjalnost, percepcija, recepcija, reprodukcije umetniških del
Place of publishing:Maribor
Publisher:[A. Švec]
Year of publishing:2015
PID:20.500.12556/DKUM-48383 New window
UDC:37.015.31:7
COBISS.SI-ID:21502216 New window
NUK URN:URN:SI:UM:DK:QFAY6CBX
Publication date in DKUM:06.02.2019
Views:3594
Downloads:112
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:TESTING THE DIFFERENT WAYS OF ART APPRECIATION
Abstract:The thesis titled “Testing different ways of developing fine art appreciation” consists of theoretical and empirical work. It was formed with the purpose of checking the different ways of presentation with twelve works of art. With direct pedagogical work and on the basis of established results we want to find appropriate ways and channels to develop fine art appreciation. In the first part, which represents the theoretical starting point, we have presented fine art appreciation, presented its history, as well as the importance and possibilities of developing its appreciation. We also presented fine art evaluation and artistic creativity, as both activities are strongly linked with fine art appreciation. In the evaluation, we examined the types and approaches of fine art evaluation. In regard to creativity, we defined the concept, wrote the criteria and explained the phenomenom of artistic creativity itself. We have also presented their impact on the fine art appreciation skills. In the second – empirical part – we presented the results which we have obtained with the implementation and testing of different ways of gradual discovery of twelve works of art by contemporary Slovenian artists. For data collection, we chose the analysis of audio recordings that were recorded during the fine art class. The research sample included six classes of pupils from three elementary schools in Maribor. Research has shown that the efficiency of the chosen ways of gradual discovery of each artwork varies, because some pupils felt drawn to realistic artworks, while some preferred abstract works of art. Nevertheless, all the ways of gradual discovery of artworks in all the presented works of art for the most part succeeded in drawing the attention of pupils to artworks.
Keywords:fine art appreciation, fine art evaluation, artistic creativity, perception, reception, reproductions of works of art


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