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Title:PRVINE GROTESKE IN ABSURDA V DRAMI SALTO MORTALE NEBOJŠE POPA TASIĆA
Authors:Jamšek, Barbara (Author)
Pavlič, Darja (Mentor) More about this mentor... New window
Files:.pdf UNI_Jamsek_Barbara_2014.pdf (5,17 MB)
 
Language:Slovenian
Work type:Undergraduate thesis (m5)
Typology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Abstract:Diplomska naloga skozi natančnejšo razlago in raziskavo znanih motivov, različnih teorij groteske, eksistencializma in Camusove filozofije absurda analizira dramo Salto Mortale Nebojše Pop Tasića. Drama je bila napisana leta 2012 po naročilu Lutkovnega gledališča Maribor za lutkovno uprizoritev režiserja Silvana Omerzuja, ki je namenjena odrasli publiki. Zaradi zanimivo in inovativno prepletenih znanih srednjeveških, ljudskih in bibličnih motivov ponuja veliko možnosti za interpretacijo. Aktualizacija na nivoju kritike in analize človekove duše se kaže v pojavu groteske in absurda v drami. Diplomska naloga je zgrajena tako, da glavnim poglavjem, kjer natančneje raziščem in interpretiram znane motive in teorije, sledi analiza drame in posledično tudi uprizoritve skozi različne perspektive raziskanih tez. Potrjuje se, da lahko le groteska in absurd v drami in uprizoritvi današnjega bralca, pa tudi gledalca, pripeljeta do tako močnega čustvovanja in dojemanja tragike odsotnosti človeškega v človeku.
Keywords:Nebojša Pop Tasić, Salto Mortale, Silvan Omerzu, mrtvaški ples, Vidov ples, smrt, groteska, absurd, sedem smrtnih grehov, Lenuh, nesmrtnost, M. Bahtin, A. Camus, eksistencializem.
Year of publishing:2014
Publisher:[B. Jamšek]
Source:Maribor
UDC:82.09-2Salto Mortale(043.2)
COBISS_ID:20782344 Link is opened in a new window
NUK URN:URN:SI:UM:DK:Z5OEPJCU
Views:1286
Downloads:112
Metadata:XML RDF-CHPDL DC-XML DC-RDF
Categories:FF
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Secondary language

Language:English
Title:THE GROTESQUE AND ABSURD ELEMENTS IN A PLAY SALTO MORTALE BY NEBOJŠA POP TASIĆ
Abstract:The thesis based on thorough interpretation and study of known motifs, different theories of grotesque, existentialism and Camus' philosophy of the absurd drama analyzes the drama Salto Mortale by Nebojša Pop Tasić. The drama was written in 2012 ordered by the Maribor Puppet Theatre for a puppet performance, directed by Silvan Omerzu, intended for adult audiences. With its interesting and innovative interwoven medieval, folk and biblical motifs it offers many possibilities for interpretation. Actualization on the level of critical thinking and analysis of the human soul is reflected in the appearance of grotesque and absurd drama. The thesis is built in such a way that the main section where I thoroughly investigate and interpret well-known motifs and theory, is followed by an analysis of drama and consequently staging through different perspectives of the explored theses. It is confirmed that only a grotesque, absurd drama and its staging can lead today's reader as well as the viewer to such a strong empathy and perception of the absence of human tragedy in humanity.
Keywords:Nebojša Pop Tasić, Salto Mortale, Silvan Omerzu, dance macabre, St. Vitus dance, death, grotesque, absurd, seven deadly sins, Slacker, immortality, M. Bahtin, A. Camus, existentialism.


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