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Title:MARIJ KOGOJ SKOZI OPERO ČRNE MASKE
Authors:ID Molan, Tadeja (Author)
ID Weiss, Jernej (Mentor) More about this mentor... New window
Files:.pdf UNI_Molan_Tadeja_2014.pdf (812,26 KB)
MD5: 885EBE2C003715249BAE7DE3E8D7853B
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:Diplomska naloga v uvodu predstavi primarno družino Marija Kogoja, njegovo odraščanje, prva srečanja z glasbo v domačem kraju ter nadaljnja izobraževanja v Gorici, Ljubljani in kasneje na Dunaju. Pred osrednjim delom naloge je dokaj obširno opredeljena glasbena situacija na Slovenskem v začetku 20. stoletja. Bistveni del se nanaša na dramo Črne maske Leonida Nikolajeviča Andrejeva, na podlagi katere Kogoj napiše svojo mojstrovino, opero Črne maske. Poudarek je na analizi vsebine, uprizoritvah in uporabljenih kompozicijskih sredstvih ter pomenu opere za slovenski glasbeni prostor. Metodološki princip temelji na primarnih in sekundarnih virih. Med primarne sodi branje drame in ogled opere, sekundarni viri so namenjeni obširni analizi in sintezi.
Keywords:MARIJ KOGOJ, DRAMA ČRNE MASKE, GOJMIR KREK, NOVI AKORDI, TRENUTEK, EKSPRESIONIZEM, ARNOLD SCHÖNBERG, OPERA ČRNE MASKE, UROŠ LAJOVIC, REVIZIJA PARTITURE, EPK 2012 – MARIBOR.
Place of publishing:Maribor
Publisher:[T. Molan]
Year of publishing:2014
PID:20.500.12556/DKUM-44997 New window
UDC:782(043.2)
COBISS.SI-ID:20868360 New window
NUK URN:URN:SI:UM:DK:KZFCSUHK
Publication date in DKUM:09.10.2014
Views:2578
Downloads:281
Metadata:XML RDF-CHPDL DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:MARIJ KOGOJ THROUGH THE OPERA BLACK MASKS
Abstract:In the introductory part of the diploma thesis Marij Kogoj's primary family, his adolescence, the first contacts with music in his home town and his further education in Gorizia, Ljubljana and later on in Vienna are presented. Prior to the main part the situation in the field of music in Slovenia at the beginning of the 20th century is extensively defined. The main part of the diploma thesis deals with Leonid Nikolaevich Andreev's drama Black Masks, which presents the basis for Marij Kogoj's masterpiece – the opera Black Masks. The main focus lies on the contents analysis, the performances and the means of composition used in addition to the significance of the opera for the Slovene field of music. The methodological principles are based on the primary and secondary sources. While reading the drama and seeing the opera performance belong among the primary sources, the secondary sources enable both the extensive analysis and synthesis.
Keywords:MARIJ KOGOJ, THE »BLACK MASKS« DRAMA, GOJMIR KREK, THE »NOVI AKORDI« MAGAZINE, MOMENT, EXPRESSIONISM, ARNOLD SCHÖNBERG, THE »BLACK MASKS« OPERA, UROŠ LAJOVIC, A REVISION OF THE OPERA SCORE, THE EUROPEAN CAPITAL OF CULTURE 2012 – MARIBOR.


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