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Title:MATERIALNOST IN VSEBINA V SLIKARSKEM SPOROČILU
Authors:ID Lackovič, Polona (Author)
ID Rimele, Oto (Mentor) More about this mentor... New window
Files:.pdf UNI_Lackovic_Polona_2014.pdf (2,92 MB)
MD5: D6938964100BB6B5BCC39BEDB0405C41
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:V diplomskem delu z naslovom Materialnost in vsebina v slikarskem sporočilu sem se poglobila v izraznost lastnega ustvarjanja ter na podlagi proučevanja del drugih avtorjev poskušala najti vzporednice in razhajanja med njihovimi in svojimi deli. K diplomskemu delu sem pristopila tako teoretično kot tudi praktično. Vsebinsko je diplomsko delo razdeljeno na tri sklope. V prvem sklopu sem podala nekaj misli o pojmu slike. Obravnavala sem slikarstvo povojnega časa in se osredotočila na likovno umetnostno smer informela, ki je po izraznih ter oblikovnih lastnostih nekako najbližje mojemu slikarskemu ustvarjanju, ki ga predstavljam v praktičnem delu diplomske naloge. V drugem vsebinskem sklopu sem se poglobila v delovanje umetnikov, ki v svojih delih poudarjajo materijo kot slikarsko izrazno sredstvo. Natančneje predstavim Antonija Tàpiesa, Alberta Burrija, Pierra Soulagesa in Jeana Fautrierja. Poleg analiziranja njihovih del na kratko predstavim tudi njihovo biografijo, v kolikor je bilo to potrebno za boljše razumevanje njihovih vsebinskih izhodišč in njihovih likovnih sporočil. Predstavim tudi tri slovenske umetnike, nato primerjam likovno delo: Emerika Bernarda in Jeana Fautrierja, delo Toneta Lapajneta z delom Antonija Tàpiesa in delo Zorana Mušiča z delom Alberta Burrija. V tretjem vsebinskem sklopu sem opisala lastno likovno izkušnjo, ki temelji na pastoznih barvnih nanosih, ki tvorijo teksturirano površino likovne ploskve in tudi strukturno matrico likovne kompozicije. V svojem delu torej izpostavim materialnost in slikarsko gesto kot osnovno izrazno sredstvo, s katerim določam lastno slikarsko kompozicijo oblik in barv.
Keywords:slika, slikarstvo, informel, pastoznost, struktura slike, tekstura slike, materija v sliki, gestualnost.
Place of publishing:Maribor
Publisher:[P. Lackovič]
Year of publishing:2014
PID:20.500.12556/DKUM-44885 New window
UDC:7.038.21:75(043.2)
COBISS.SI-ID:20853000 New window
NUK URN:URN:SI:UM:DK:QNIDICTL
Publication date in DKUM:07.10.2014
Views:1841
Downloads:140
Metadata:XML RDF-CHPDL DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:MATERIALITY AND CONTENT IN THE ARTISTIC MASSAGE
Abstract:I have researched the expressiveness of my own creativity in the diploma thesis Materiality and Content in the Artistic Message. According to the research of other authors' work, I have also tried to find the parallels and differences between their and my works of art. I have approached to the diploma thesis theoretically and also practically. The content is divided into three parts. In the first part, there are some thoughts about the term picture. I have been researching painting of the post-war period and focused on the artistic movement informel which is closest to my artistic creation, which is presented in the practical part of the diploma thesis, with expressive and formal features. In the second part, I have dealt with creativity of artists who stated matter in their works as an artistic expressive means. I have presented Antonio Tàpies, Albert Burri, Pierre Soulages in Jean Fautrier in details. I have presented their biography in short (if needed for better understanding of their work and their artistic messages) and I have also analyzed their works of art. I have also presented three Slovenian artists and compared their work.Emerik Bernard and Jeana Fautrierja, Tone Lapajne with Antonio Tàpies and Zoran Mušič with Albert Burri's work. In the third part, I have described my personal artistic experience which is based on pastose colour deposits which form texture surface of the artistic base and also structure matrix of artistic composition. I have exposed materiality and artistic gesture in my work as basic artistic means which define my own artistic composition of forms and colours.
Keywords:a picture, painting, informel, pastosity, structure of a painting, texture of a painting, matter in painting, gestuality.  


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