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Title:VKLJUČEVANJE GLASBENE USTVARJALNOSTI V POUK GLASBENE UMETNOSTI NA RAZREDNI STOPNJI
Authors:ID Markelj, Polona (Author)
ID Črčinovič Rozman, Janja (Mentor) More about this mentor... New window
ID Kovačič, Bojan (Comentor)
Files:.pdf UNI_Markelj_Polona_2014.pdf (1,40 MB)
MD5: E862B46952BC3FB6E5749F93F901890E
 
Language:Slovenian
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Abstract:Namen diplomskega dela je proučiti, v kolikšni meri učitelji v pouk glasbene umetnosti vključujejo dejavnosti s področja glasbene ustvarjalnosti in kakšen je po mnenju učiteljev interes učencev do glasbenih ustvarjalnih dejavnosti. Zanima nas, ali dejavnika, kot sta glasbena izobrazba učiteljev in vzgojno-izobraževalno obdobje, v katerem učitelj poučuje, vplivata na raznolikost in pogostost izvajanja glasbenih ustvarjalnih dejavnosti ter na naklonjenost učencev do glasbenih ustvarjalnih dejavnosti pri pouku glasbene umetnosti. V empiričnem delu je bila uporabljena deskriptivna neeksperimentalna metoda pedagoškega raziskovanja. Podatke smo pridobili s pomočjo anketnega vprašalnika, ki ga je izpolnilo 211 učiteljev s celotnega območja Republike Slovenije, ki poučujejo od 2. do 5. razreda osnovne šole. Analiza podatkov je pokazala, da obstajajo razlike glede na izobrazbo učiteljev, saj tisti z več glasbene izobrazbe v pouk pogosteje vključijo glasbeno didaktične igre, pri katerih učenci ustvarjajo melodijo na dano besedilo, učencem večkrat ponudijo, da prosto oblikujejo melodije in variacije, jim pogosteje ponudijo instrumente, kot sta klavir in kitara. Razlike obstajajo tudi glede na vzgojno-izobraževalno obdobje, in sicer učitelji v prvem vzgojno-izobraževalnem obdobju pri pouku glasbene umetnosti večkrat uporabijo ustvarjalne dejavnosti s področja gibanja ob glasbi, za ustvarjanje/improviziranje večkrat izberejo ritmično improvizacijo, ritmične instrumente ter ustvarjalne glasbeno-didaktične igre, za katere učenci po mnenju učiteljev v prvem vzgojno-izobraževalnem obdobju kažejo večji interes kot učenci v drugem vzgojno-izobraževalnem obdobju. Omejitve naše raziskave se nanašajo predvsem na velikost vzorca in na neenakomerno porazdelitev anketirancev glede na glasbeno izobrazbo. Dobro bi bilo, da bi dobljene rezultate podkrepili z nadaljnjim raziskovanjem.
Keywords:glasba, glasbena ustvarjalnost, pevska improvizacija, instrumentalna improvizacija, ustvarjalne glasbeno-didaktične igre, glasbene sposobnosti
Place of publishing:Maribor
Publisher:[P. Markelj]
Year of publishing:2014
PID:20.500.12556/DKUM-44605 New window
UDC:37.091.3:78(043.2)
COBISS.SI-ID:20799752 New window
NUK URN:URN:SI:UM:DK:CMRDPJIC
Publication date in DKUM:24.09.2014
Views:2609
Downloads:441
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:INTEGRATING MUSICAL CREATIVITY INTO TEACHING MUSIC IN PRIMARY SCHOOL
Abstract:The purpose of the thesis is to examine the extent to which music teachers include activities from the field of musical creativity and how learners are interested in creative musical activities according to the teachers’ opinions. We are interested in the following factors: whether musical education of a teacher and the grade which a teacher teaches affect the diversity and frequency of the creative musical activities as well as if pupils’ interest in creative musical activities at music lessons fosters creativemusical activities. In the empirical part,a descriptive experimental method of pedagogical researchwas used. Data were collected using a questionnaire which was completed by 211 teachers from the whole territory of the Republic of Slovenia who teach 2- to 5-grade pupils. The analysis of the data gathered showed that there are differences among teachers regarding education since teachers with more music education often include creative educational music games at music lessons at which pupils create a melody to a given text, encourage pupils to create melodies and variations and they are more likely to offer instruments such as a piano or a guitar to their pupils. There are also differences regarding the age group which a teacher teaches: teachers from the first gradesof primary schoolinclude creative activities from the field of movement; they often choosemusic to create rhythmic improvisations, they use rhythmic instruments and creative educational music games in which pupils, according to teachers’ opinion, show a greater interest in the first educational period than pupils in the second educational period. The limitations of our study relate primarily to the sample size and uneven distribution of respondentsregarding their music education. It would be great if the results obtained could be supported by further research.
Keywords:music, musical creativity, vocal improvisation, instrumental improvisation, creative educational music games, musical abilities


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