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Title:FENOMEN ORANŽNE BARVE IN LIKOVNA ARTIKULACIJA
Authors:Štravs, Martina (Author)
Rimele, Oto (Mentor) More about this mentor... New window
Files:.pdf UNI_Stravs_Martina_2010.pdf (3,33 MB)
 
Language:Slovenian
Work type:Undergraduate thesis (m5)
Organization:PEF - Faculty of Education
Abstract:V zgodovini barvne teorije so si številni raziskovalci prizadevali, da bi barve razvrstili po sistemu, ki bi omogočal njihovo označevanje. Diplomskon delo z naslovom Fenomen oranžne barve in likovna artikulacija je poglobljeno delo o barvi, oranžni barvi in fenomenu medsebojnega delovanja in vplivanja dveh ali več barv. Diplomsko delo je razdeljeno na uvodni del, kjer predstavim svetlobo kot začetek vsega. Sledijo značilnosti oranžne barve, kjer pišem o fizikalnih, fizioloških, psiholoških učinkih oranžne barve. Nadaljujem z oranžno barvo v likovni teoriji, kakšne so lastnosti oranžne barve in kako se le-ta na različnih barvnih podlagah spreminja. Poleg analiziranja barv so navedeni tudi primeri reprodukcij različnih likovnih kompozicij. Umetniki, ki so uporabljali oranžno barvo, so nato obravnavani v novem poglavju. V zaključnem delu je predstavljena moja likovna izkušnja z oranžno barvo. Ustvarila sem sliko ob poslušanju skladbe skladatelja Alda Kumarja, Strastra in tako tudi poimenovala diptih, saj je njena barva oranžna.
Keywords:likovna umetnost, svetloba, barva, oranžna barva, simbolika oranžne barve, pigmenti.
Year of publishing:2010
Publisher:[M. Štravs]
Source:Maribor
UDC:73/76(043.2)
URN:URN:SI:UM:DK:9ROPXJV0
COBISS_ID:17882888 Link is opened in a new window
Views:2730
Downloads:180
Metadata:XML RDF-CHPDL DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:THE PHENOMENON OF THE ORANGE COLOUR AND FINE ART ARTICULATION
Abstract:In the history of colour theory, many researchers have endeavoured to classify colour according to the system that would allow their identification. The thesis entitled The phenomenon of orange colour and fine art articulation is detailed work on colour, colour orange, and on the phenomenon of interaction with other colours in the visual arts. The thesis is divided into an introductory part, where light is presented as the beginning of everything. There follow the characteristics of the orange colour, where we learn about the physical, physiological and psychological effects of this colour. This is proceeded by the orange colour in art theory, with major a characteristics of the orange colour and how it changes on different colour bases. In addition to the analysis of the colours, examples of reproductions of various fine art compositions are presented. Artists, who have used the colour orange, are dealt with in a new chapter. In the final part, my experience with the orange colour is presented. I made a picture while listening to the music, Strastra, composed by Aldo Kumar, and named the diptych after it, because its colour is orange.
Keywords:art, light, colour, orange colour, orange colour symbolism, pigments.


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