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Musical metaphors in the poetry of Wallace Stevens
Victor Kennedy, 2016, izvirni znanstveni članek

Opis: Wallace Stevens's "The Man with the Blue Guitar" (1937) is widely recognized as one of the most important and influential poems of the 20th century. Inspired by Picasso's painting The Old Guitarist, the poem in turn inspired Michael Tippett's sonata for solo guitar, "The Blue Guitar" (Tippett 1983) and David Hockney's The Blue Guitar: Etchings by David Hockney who was inspired by Wallace Stevens who was inspired by Pablo Picasso (Hockney and Stevens 1977). Central to "The Man with the Blue Guitar," the metaphor of the musical instrument as a transformational symbol of the imagination is common in Stevens's poems. The structure of "The Man with the Blue Guitar," according to J. Hillis Miller, is the structure of stream-of-consciousness. Stevens's poem creates what has been called "the deconstructed moment in modern poetry," "an attempt to project a spatialized time that can be viewed from the privileged position of a timeless, static moment capable of encompassing a life at a glance" (Jackson 1982). This consciousness, which Derrida refers to as the "trace," Stevens calls "the evasive movement of language." The trace is the perception of the absence of meaning after the word or perception has passed, the glimpse of a hidden meaning that immediately vanishes. Stevens's poem influenced not only other poets, artists and composers; references to and echoes of his ideas and techniques can be seen in popular music and culture well into the 21st century.
Ključne besede: Wallace Stevens, musical metaphor, ekphrasis, The Man with the Blue Guitar
Objavljeno v DKUM: 16.05.2017; Ogledov: 1472; Prenosov: 466
.pdf Celotno besedilo (158,87 KB)
Gradivo ima več datotek! Več...

Vid Hudrap, Božidar Kante, 2016, diplomsko delo

Opis: The graduation thesis titled ETHICAL ISSUES AND AESTHETIC CONTEXT IN CORMAC MCCARTHY'S: THE ROAD discusses the novel The Road written by Cormac McCarthy from an ethical and aesthetical perspective. It covers issues of morality, its origins and how it is transmitted to the next generation in a world where society and its accomplishments were wiped out by a catastrophe of epic proportions. Here it examines the transmission of values from the father to the son who only knows society after the catastrophe – a society consisting only of father and son and the hostile environment they are subjected to. It follows the journey of a father and son who wander the desolate landscape in search of food and shelter and it deals with the ethical issues they encounter in their path ridden with cannibalistic bands, lone thieves and other individuals. The thesis examines the choices of the protagonists in dealing with other people, ethical conflicts which arise in these situations and between the protagonists themselves, as well as their quest to maintain their humanity. In doing so, it examines the metaphor of fire, the way people make moral decisions, our perception of moral goals and lines – the limits we set ourselves in how we deal with other people. It also touches on the basic concept of cooperation, how it evolved and its benefits for creating and maintaining a complex human society.
Ključne besede: Ethics, aesthetics, morality, transmission of morality, society, bright lines, bright lights, conceptual metaphor, cooperation.
Objavljeno v DKUM: 02.06.2016; Ogledov: 1367; Prenosov: 89
.pdf Celotno besedilo (789,18 KB)

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