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Operatic adaptation of Shakespeare`s Romeo and Juliet
Eva Zore, 2018, master's thesis

Abstract: This Master’s Thesis analyses Charles Gounod’s operatic adaptation of William Shakespeare’s Romeo and Juliet. The theoretical part introduces the theory of adaptation with a particular focus on operatic adaptations; it then moves on to three modes of adaptations, and discusses the correlation between adaptation and plagiarism. In the second chapter, the thesis identifies and interprets the sources for Shakespeare’s and Gounod’s works, introduces the librettists Jules Barbier and Michael Carré and discusses the background of the period of the operatic production. The main purpose of this thesis is to identify and study stylistic correlation between Shakespeare’s Romeo and Juliet and the libretto of Roméo et Juliette. The thesis further establishes whether the librettists make certain themes from the play more or less prominent. For this purpose, three passages were selected for the contrastive microstructural analysis of the play and its operatic adaptation in the final chapter of this thesis. The intent is to establish whether librettists managed to preserve Shakespeare’s most salient stylistic elements as well as other textual characteristics that have an impact on the interpretative potential of the adaptation.
Keywords: play, opera, libretto, music, adaptation, microstructural analysis
Published in DKUM: 15.10.2018; Views: 1158; Downloads: 160
Full text (914,05 KB)

Poznavanje in raba frazemov iz grško - rimske mitologije
Eva Zore, 2018, master's thesis

Abstract: Magistrsko delo z naslovom Poznavanje in raba frazemov iz grško-rimske mitologije v teoretičnem delu obravnava frazeologijo kot vedo, opredeljuje frazeološko enoto ter pomen in rabo frazemov. Posveča se pravopisnemu vprašanju frazemov in predstavi prisotnost frazeoloških enot v splošnih in specializiranih slovarjih. V drugem poglavju teoretičnega dela je osvetljen pojem mita ter grška in rimska mitologija. V empiričnem delu je v ospredju zbirka frazeoloških enot, temelječih na grško-rimskem mitološkem ozadju. Gradivo, ki je bilo zbrano na podlagi Slovarja slovenskih frazemov (2015) Janeza Kebra, priročnika Kdo je kdo v antiki (2004) Vladete Jankovića, Slovarja grške in rimske mitologije (1995) Joëla Schmidta in Kratke zgodovine mita (2005) Karen Armstrong, podaja pomen zbranih frazeoloških enot v slovenskem jeziku, razlaga njihovo mitološko ozadje, prikazuje rabo, pojavitve v korpusu Gigafida in slovarjih ter navaja angleško ustreznico. Ugotovljeno je, da so obravnavani frazemi v korpusu Gigafida prisotni predvsem v publicističnih besedilih in da je njihova pravopisna podoba pogosto neenotna (npr. Pirova zmaga, pirova zmaga). Poznavanje in raba izbranih frazeoloških enot sta bila preverjena med študentkami in študenti slovenskega jezika in književnosti na Filozofski fakulteti Univerze v Mariboru. Anketa je pokazala, da je védenje študentov o obravnavani tematiki (npr. poznavanje pomena in mitološkega ozadja enot) skopo, uporaba tovrstnih enot pa redka.
Keywords: frazeologija, frazem, grška mitologija, rimska mitologija, pravopis
Published in DKUM: 12.10.2018; Views: 2685; Downloads: 386
Full text (1,52 MB)

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