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1.
Gethen as a Thought Experiment: Using Analytical Philosophy to Examine the Themes of Ursula Le Guin’s Science Fiction Novel The Left Hand of Darkness : using analytical philosophy to examine the themes of Ursula Le Guin’s science fiction novel The left hand of darkness
Marina Bajić, 2023, magistrsko delo

Opis: In her work The Left Hand of Darkness, Ursula Le Guin poses a thought experiment in the form of a planet called Gethen: what would the world be like if we were all biologically genderless (most of the time)? The Gethenians are biologically genderless 28 days and assume one of the two genders (male or female) during the remaining days of the sexual cycle. They always assume the opposite gender of their partner and not necessarily the same gender every time. While Le Guin explores certain elements of this thought experiment, she does not expand upon it further, but rather focuses on the story of the novel itself. In this thesis, I will be using elements of philosophy (mostly political philosophy) and deconstructing the Gethenian society to truly see what is left, then building it from the ground up again through the Social Contract. The result? Equality presented in a completely new light.
Ključne besede: Ursula Le Guin, The Left Hand of Darkness, thought experiments, science fiction
Objavljeno v DKUM: 02.10.2023; Ogledov: 393; Prenosov: 49
.pdf Celotno besedilo (1,02 MB)

2.
Thought Experiments, Fiction, and Literary Genres
Tadej Todorović, 2017, magistrsko delo

Opis: The thesis explores the relationship between thought experiments and fiction. It argues that thought experiments should be looked at as a sub-category of fiction, as this would enable fiction to be regarded as a source of knowledge and simultaneously preserve the special status of thought experimenting in philosophy. Furthermore, the thesis explores how the notion of thought experiments as a sub-category of fiction can illuminate and resolve certain issues in the classification of the literary genre utopia. Namely, it focuses on how to differentiate between eutopias, anti-utopias, and dystopias. By splitting the category of thought experiments into constructive and destructive thought experiments, it shows that eutopias can be perceived as being built upon constructive thought experiments, and anti-utopias and dystopias as being built upon destructive thought experiments, which suggests that dystopia is a sub-category of anti-utopia. Moreover, the developed theory is tested by showing how Le Guin’s The Dispossessed, Huxley’s Brave New World, and Atwood’s Maddaddam series, examples of anti-utopias and dystopias, are built upon destructive thought experiments, which substantiates our claim extensively.
Ključne besede: literary cognitivism, thought experiments, fiction, utopia, eutopia, dystopia, anti-utopia
Objavljeno v DKUM: 19.10.2017; Ogledov: 1366; Prenosov: 203
.pdf Celotno besedilo (1,08 MB)

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