PROS AND CONS OF THE CURRENCY BOARD-CASE OF BULGARIAZornitsa Daskalova Krasimirova
, 2010, delo diplomskega seminarja/zaključno seminarsko delo/naloga
Opis: The investigated topic is such that retains its importance throughout time as it tends to be a good lesson on the misconduct of monetary policy of one country during turbulent and drastic economic and political changes, and the following actions meant to bridle back the economy to its stable performance. The focus of this thesis is of Bulgaria and the way it coped with the galloping hyperinflation in the late nineties of the previous century.
My main motivation and reason behind writing this thesis is first the fact that I am Bulgarian, who has the language know-how and the access to vaster sources describing and delving into the investigated topic. Furthermore, I am familiar with the culture that stands behind and affects in many aspects the decisions that happened to be decisive for those tumultuous times, thus I can give a better insight on the topic to the people observing from abroad. Therefore, I have attempted to give an objective and straightforward analysis and explanation behind the history, structure, past and present challenges of the Bulgarian currency board, and its advantages and disadvantages that it has had in the country. I hope the information is clear and useful enough to create awareness in the other EU countries of the main arguments and disputes surrounding this pegged system and in general help toward forming a basis for a proper decision making.
There were some limitations in the course of work; i.e denied access to some of the materials and articles as they are available only when accessed from Bulgaria. Despite the difficulties, I managed to get a broad scope of sources- domestic and international ones, to come up with the final coherent piece of work that I have the honour to present to you. Further down, in the Introduction part, I have elaborated deeper on the way how I have prepared and structured the investigated topic of my bachelor thesis.
Ključne besede: currency board, “orthodox” currency board, pegged currency, anchor currency, monetary policy, Bulgarian monetary policy, economic crisis, financial crisis, inflation, depreciation, current account deficit, ERM 2, Bulgarian politics, Bulgaria, EU, IMF, Bulgarian National Bank, Eurozone
Objavljeno: 05.05.2011; Ogledov: 2277; Prenosov: 84
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SOCIAL AND MORAL DIFFERENCES IN THE WORKS OF GEORGE B. SHAW THE MILLIONAIRESS AND THE APPLE CARTAleš Trstenjak
, 2011, diplomsko delo
Opis: The diploma thesis deals with social and moral differences in the plays of George B. Shaw, The Millionairess and The Apple Cart. Both plays deal with society issues, which have caused a growing precipice between classes; however, they also deal with inter-human relationships, pursuit of personal happiness, politics and religion. The characters in both plays are involved in a power struggle; recurrent conflicts between them are depicted with sharp dialogues in comic situations. The prefaces of both plays also play an important role; they give us an insight of Shaw’s opinion and provide an explanation for the behaviour of some characters.
Ključne besede: society, social classes, morality, inter-human relationships, politics, prefaces
Objavljeno: 27.02.2012; Ogledov: 1259; Prenosov: 59
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The broken covenant of Tito's people : the problem of civil religion in Communist YugoslaviaSergej Flere
, 2007, izvirni znanstveni članek
Opis: The author attempts to demonstrate that the concept of civil religion is appropriate and illuminating in comprehending the culture and society of Communist Yugoslavia (1945-1991). Though manifestly contrary to theism, numerous elements of this civil religion make it deserving of the name: it contained a tale of an alleged sacred historical past and a transhistorical mission of the Yugoslav peoples, including an eschatology, and a sacred covenant. President Tito's charisma was the major element of this civil religion, the idea of a broken covenant was present, along with the rule of equalitarianism (particularly as a wealth taboo) at the ethical level. When Tito's physical presence disappeared, the entire civil religion was doomed (there was no possibility of routinizing and depersonalizing charisma), as well as the society it legitimated. Because of the charismatic nature of legitimation and the basically authoritarian nature of this cultural pattern, transformation into rational-legal legitimation was blocked.
Ključne besede: religion, politics, Yugoslavia, communism, charisma, broken covenant
Objavljeno: 07.06.2012; Ogledov: 903; Prenosov: 69
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Post-9/11 America: Poetic and Cultural ResponsesKristina Kočan Šalamon
, 2016, doktorska disertacija
Opis: The doctoral dissertation with the title “Post-9/11 America: Poetic and Cultural Responses” examines the immediate responses that emerged in American media and poetry after the terrorist attacks on 11 September, 2001 in New York City and Washington, D.C. The research proceeds from the analysis of responses to 9/11 in several American printed media, to the reading of poetic works by contemporary American poets. Using the resources of the editorials in four major daily American newspapers (USA Today, The New York Times, The Washington Post, and The Washington Times) and two leading weekly American magazines (The New Yorker and The Weekly Standard), the research employs the theoretical approach of content analysis to examine the rhetoric used. This method enables textual data analysis in selected editorials associated with the language of 9/11 to confirm the first variable of the thesis; i.e. that the media reproduced the manner of the rhetoric of the then current government administration. Seeking to explain the rhetoric of the politicians and the media after 9/11, the analysis explores several parameters. This kind of rhetoric addressed the issues connected to 9/11, and employed a great deal of patriotism-related words as well as a language that could help instigate fear and paranoia in Americans and their culture. After the first hypothesis of the thesis has been established, the study turns towards the primary argument of the thesis. The main crux of the study is to show that the majority of the poets deviated from the prevalent rhetoric of the time, and did not resort to the language of fear and intense patriotism. This in-depth study of contemporary American poetry that came into existence as a response to the events of 9/11 focuses on poems published in several anthologies (Poetry after 9/11: An Anthology of New York Poets; September 11, 2001 American Writers Respond; An Eye for an Eye Makes the Whole World Blind; September 11: West Coast Writers Approach Ground Zero; 110 Stories), prominent American journals (such as The New Yorker and Michigan Quarterly Review), and poetry collections. Focusing on portraying the manifold poetic responses to 9/11, this study leans on thematic criticism as a comparative approach for creating a collectivity of poems that differ in metrics, style, tropes and figures of speech. Thematic criticism provides a foundation for organizing the poems into thematic clusters, not by determining unique thematic features of a specific poem, but by establishing attributes that unite several poems into a thematic cluster. The thesis divides the 9/11 poems into eight thematic clusters, which are then analyzed in detail. Additionally, the study uses another method to analyze individual poetic responses to 9/11, which is the formalist theoretical approach, New Criticism. This interpretive method of close reading enables an interpretation of a poem by analyzing its formal elements based on internal evidence. With the combination of the interpretive and comparative approach, the thesis has confirmed the main postulate and has established that most post-9/11 American poetry eschewed the prevalent patriotic rhetoric of the then current U.S. media. The study has shown that post-9/11 poetry is a marginal genre in comparison to the 9/11 novel when it comes to the critical examination of the post-9/11 literary responses. Hence, this study is novel in providing a substantial scholarly examination of post-9/11 poetry written by American poets. Chapter 2 investigates fear, patriotism and language issues in politics and the media after 9/11.Chapter 3 establishes the prevailing rhetoric in the immediate post 9/11 response of U.S. media with the help of the theoretical framework of content analysis. The pre-existing scholarly work on literary responses to 9/11 and the problems with representation of 9/11 in American culture occupy Chapter 4, while Chapter 5 sets out the selected methodology (Thematic Criticism and New Criticism) for studying post-9/11 American poetry. Chapter 6 deals extensively with thematic representations in post-9/11 American poetry.
Ključne besede: events of 9/11, contemporary American poetry, responses, media, politics, culture, trauma, crisis, content analysis, New Criticism, close reading, thematic criticism
Objavljeno: 05.10.2016; Ogledov: 1206; Prenosov: 85
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The political use of the figure of John Coltrane in American poetrySamo Šalamon
, 2007, izvirni znanstveni članek
Opis: John Coltrane, one of the most influential and important musicians and composers of the 20th century, began to inspire jazz musicians and American poets in the 1960s with the Black Arts Movement poets. His music was interpreted and used for the promotion of political ideas in the poetics of Amiri Baraka, Sonia Sanchez, Askia Muhammad Toure, Larry Neal and others. Thisis the political Coltrane poetry. On the other hand, Coltrane's music inspired another kind of poets, the musical poets, which began to emerge in the 1970s. In this case, the poetry reflects the true nature of Coltrane's spiritual music quest. The poets belonging to this group, like Michael S. Harper, William Matthews, Jean Valentine, Cornelius Eady, Philip Levine, Nathaniel Mackey and others, go beyond politics, beyond race or gender. In this essay I will investigate the first type of Coltrane poetry, where Coltrane's music was used to promote the political ideas of the Black Art Movements in connection with the political movement of Malcolm X. These poets changed, rearticulated and shifted Coltrane's spiritually musical message towards the principles of the black nationalism.
Ključne besede: American literature, American poetry, jazz, Afro-American poetry, Black Arts Movement, politics, jazz poetry, Black Arts Movement, influence of music on poetry, John Coltrane, Amiri Baraka, Sonia Sanchez
Objavljeno: 16.05.2017; Ogledov: 525; Prenosov: 257
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Language, ideology and politics in CroatiaMate Kapović
, 2011, izvirni znanstveni članek
Opis: Based in part on his recent book Čiji je jezik? (Who does Language Belong to?), the author reviews the intricate relation of language, ideology, and politics in Croatia in the last 20 years, including new examples and analyses. The article emphasizes problems related to Croatia specifically, which might be of interest to foreign Slavists and linguists, while the monograph (in Croatian) deals with the problems of language, society, politics, ideology, and sociolinguistics in general.
Ključne besede: linguistics, sociolinguistics, language politics, Croatia, purism
Objavljeno: 06.02.2018; Ogledov: 344; Prenosov: 225
Celotno besedilo (396,67 KB)
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