Iskanje po katalogu digitalne knjižnice

Opis: Magistrsko delo obravnava izbrana pripovedna in dramska dela slovenskega ustvarjalca Borisa Fakina, ki je ustvarjal pod psevdonimom Igor Torkar. Magistrsko delo je razdeljeno na teoretični del in analizo literarnih del. V teoretičnem delu so razloženi osnovni pojmi, ki so nam bili v pomoč pri literarnoteoretski analizi Torkarjevih del. Glavna pojma sta roman in drama, saj so obravnavana tako prozna kot tudi dramska dela. V nadaljevanju je s pomočjo člankov in intervjujev predstavljeno avtorjevo življenje in delo. V magistrsko delo je vključen kratek oris t. i. dachauskih procesov, saj so imeli montirani sodni procesi velik vpliv na literarno ustvarjanje obravnavanega avtorja. Bistvo magistrske naloge je zajeto v analizi literarnih del. Podrobno smo analizirali, kakšne so značilnosti Torkarjevih romanov, temu pa smo dodali še analizo nekaterih dramskih del. Obravnavani so trije romani: Deseti bratje, Umiranje na obroke in Smrt na počitnicah. Ugotovili smo, da je Torkar snov za romane črpal predvsem iz svojega življenja. Obravnavali smo tudi naslednja dramska dela: Pisana žoga, Pozabljeni ljudje, Delirij, Zlata mladina, Požar, Vstajenje Jožefa Švejka, Revizor 93. Po obsežni analizi literarnih del smo raziskali, kako so Torkarjeva dela sprejeli drugi ustvarjalci. Ob koncu raziskovanja smo izsledke strnili v sklepnem poglavju.
Ključne besede: Igor Torkar, roman, drama, literarna analiza, dachauski procesi
Objavljeno v DKUM: 09.11.2021; Ogledov: 1601; Prenosov: 76
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Opis: The main subject of my master’s thesis is to discuss the topic of English tenses and their relation to time. In order to develop a clearer understanding of the topic, four tenses (the Present simple, Present Continuous, Past simple and Past continuous) that were later used for the analysis in the empirical part, and the time and tense differences were presented theoretically. All four tenses were thoroughly described and supported with examples. For the empirical part and further analysis, the following books were used: The Front by Patricia Cornwell, In the Company of the Courtesan by Sarah Dunant, and The Rule of Four by Ian Caldwell and Dustin Thomason. With the help of these novels, the use of tenses and their compatibility with time were analysed. Special focus was put on dramatic present. We wanted to see if the time and tense in the stories were compatible and what happened with the reader’s perception if other tenses, especially the Past simple, were used. The results have shown that all three novels are mainly written in the Present Simple regardless of the time when the story happened. Such story where dramatic present is a predominant tense is given more sense of drama and acts more vividly. For this reason, the reader is not aware of the real time of the happening. Their perception is deceptive because time and tense are not consistent.
Ključne besede: time, present simple, progressive tenses, past simple, dramatic present, perception of reception, sense of drama, immediacy
Objavljeno v DKUM: 06.03.2018; Ogledov: 1517; Prenosov: 117
Celotno besedilo (1,68 MB)

Opis: Članek obravnava zgodovinsko-filozofsko videnje Mihaila Bulgakova v drami Beg, posvečeni državljanski vojni. Avtorica ugotavlja, da pisateljevo ustvarjalno misel opredeljuje apokaliptično dojemanje stvarnosti. Siže drame Bulgakov vzpostavi kot projekcijo Janezovega razodetja in se v tekstu večkrat sklicuje na apokaliptično prerokbo. Zgodovinska apokalipsa v drami predpostavlja razpad starega sveta, ki ga zaznamujejo izguba domovine, izguba lastne identitete, oskrunitev vseh starih idealov in izmaličenje človeške podobe.
Ključne besede: ruska književnost, drama, apokalipsa, aluzija
Objavljeno v DKUM: 18.05.2017; Ogledov: 1682; Prenosov: 442
Celotno besedilo (345,46 KB)
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Opis: Harold Pinter started his career with a conspicuous lack of success. He faced negative critical reviews of his early works, but his typical style eventually opened doors to new worlds in modern drama. On Slovene stages, Pinter's plays also received a similarly modest welcome. The audience as well as the reviewers found his long pauses, silences and incoherent dialogue insufficiently engaging. One of the main reasons for this could have been their unfamiliarity with Pinter's style, which eventually acquired its own adjective - "Pinteresque". With time, Pinter's popularity increased more rapidly on the world stages than in Slovenia, and today this playwright is not a stranger to the Slovene theatre. This article deals with Pinter on Slovene stages as well as the popular and critical reception of his plays. The period before 1999 was thoroughly analysed by Darja Hribar, while this study is the first to focus on the decade and a half following.
Ključne besede: English literature, English drama, theatre, reception, translation, Harold Pinter, drama
Objavljeno v DKUM: 16.05.2017; Ogledov: 1269; Prenosov: 383
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Opis: From today's perspective, Alex North's score for the 1951 film A Streetcar Named Desire, which was considered remarkable even at the time, can claim legendary status. The titles of the 16-track score suggest that the music focuses on the characters, the setting, main motifs, crucial events and states of mind. The film soundtrack could thus be denoted as integral to and harmonized with the dramatic action. This is not the case in the 2008 staging at the Slovene National Theatre in Maribor, where the music composed and selected by Hrvoje Crnić Boxer seems to focus on the protagonist only. The performance revolves around Blanche and could be interpreted as a psychoanalytic study of the play through her subconscious. Analysing the musical layers of these two considerably different productions of Williams' play opens new interpretative aspects of this complex theatre and film classic from the Deep South literary tradition.
Ključne besede: Tennessee Williams, A Streetcar Named Desire, music, film, drama
Objavljeno v DKUM: 16.05.2017; Ogledov: 1326; Prenosov: 252
Celotno besedilo (94,37 KB)
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