Iskanje po katalogu digitalne knjižnice

Opis: Quantitative analysis of visual arts has recently expanded to encompass a more extensive array of artworks due to the availability of large-scale digitized art collections. Consistent with formal analyses by art historians, many of these studies highlight the significance of encoding spatial structures within artworks to enhance our understanding of visual arts. However, defining universally applicable, interpretable, and sufficiently simple units that capture the essence of paintings and their artistic styles remains challenging. Here, we examine ordering patterns in pixel intensities within two-by-two partitions of images from nearly 140,000 paintings created over the past 1,000 years. These patterns, categorized into 11 types based on arguments of continuity and symmetry, are both universally applicable and detailed enough to correlate with low-level visual features of paintings. We uncover a universal distribution of these patterns, with consistent prevalence within groups, yet modulated across groups by a nontrivial interplay between pattern smoothness and the likelihood of identical pixel intensities. This finding provides a standardized metric for comparing paintings and styles, further establishing a scale to measure deviations from the average prevalence. Our research also shows that these simple patterns carry valuable information for identifying painting styles, though styles generally exhibit considerable variability in the prevalence of ordinal patterns. Moreover, shifts in the prevalence of these patterns reveal a trend in which artworks increasingly diverge from the average incidence over time; however, this evolution is neither smooth nor uniform, with substantial variability in pattern prevalence, particularly after the 1930s.
Ključne besede: spatial patterns, complexity, esthetic measure, art history, social physics
Objavljeno v DKUM: 01.04.2025; Ogledov: 0; Prenosov: 3
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Opis: If S=(a1,a2,...) is a non-decreasing sequence of positive integers, then an S-packing coloring of a graph G is a partition of V (G) into sets X1,X2,... such that for each pair of distinct vertices in the set Xi, the distance between them is larger than ai. If there exists an integer k such that V(G)=X1 U ... U Xk, then the partition is called an S-packing k-coloring. The S-packing chromatic number of G is the smallest k such that G admits an S-packing k-coloring. If ai=i for every i, then the terminology reduces to packing colorings and packing chromatic number. Since the introduction of these generalizations of the chromatic number in 2008 more than fifty papers followed. Here we survey the state of the art on the packing coloring, and ts generalization, the S-packing coloring. We also list several conjecres and open problems.
Ključne besede: packing coloring, packing chromatic number, subcubic graph, S-packing chromatic number, computational complexity
Objavljeno v DKUM: 11.03.2025; Ogledov: 0; Prenosov: 5
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Opis: Beauty is subjective, and as such it, of course, cannot be defined in absoluteterms. But we all know or feel when something is beautiful to us personally.And in such instances, methods of statistical physics and network sciencecan be used to quantify and to better understand what it is that evokesthat pleasant feeling, be it when reading a book or looking at a painting.Indeed, recent large-scale explorations of digital data have lifted the veilon many aspects of our artistic expressions that would remain foreverhidden in smaller samples. From the determination of complexity andentropy of art paintings to the creation of the flavour network and the prin-ciples of food pairing, fascinating research at the interface of art, physics andnetwork science abounds. We here review the existing literature, focusing inparticular on culinary, visual, musical and literary arts. We also touch uponcultural history and culturomics, as well as on the connections betweenphysics and the social sciences in general. The review shows that the syner-gies between these fields yield highly entertaining results that can oftenbe enjoyed by layman and experts alike. In addition to its wider appeal,the reviewed research also has many applications, ranging from improvedrecommendation to the detection of plagiarism.
Ključne besede: complexity, entropy, network science, data science, self-organization
Objavljeno v DKUM: 17.09.2024; Ogledov: 0; Prenosov: 414
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Opis: Recent advances in deep learning methods have enabled researchers to develop and apply algorithms for the analysis and modeling of complex networks. These advances have sparked a surge of interest at the interface between network science and machine learning. Despite this, the use of machine learning methods to investigate criminal networks remains surprisingly scarce. Here, we explore the potential of graph convolutional networks to learn patterns among networked criminals and to predict various properties of criminal networks. Using empirical data from political corruption, criminal police intelligence, and criminal financial networks, we develop a series of deep learning models based on the GraphSAGE framework that are able to recover missing criminal partnerships, distinguish among types of associations, predict the amount of money exchanged among criminal agents, and even anticipate partnerships and recidivism of criminals during the growth dynamics of corruption networks, all with impressive accuracy. Our deep learning models significantly outperform previous shallow learning approaches and produce high-quality embeddings for node and edge properties. Moreover, these models inherit all the advantages of the GraphSAGE framework, including the generalization to unseen nodes and scaling up to large graph structures.
Ključne besede: organized crime, complexity, crime prediction, GraphSAGE
Objavljeno v DKUM: 20.06.2024; Ogledov: 236; Prenosov: 13
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Opis: Background and Purpose: The complexity of the tourism system, as well as modelling in a frame of system dynamics, will be discussed in this paper. The phaenomenon of tourism, which possesses the typical properties of global and local organisations, will be presented as an open complex system with all its elements, and an optimal methodology to explain the relations among them. The approach we want to present is due to its transparency an excellent tool for searching systems solutions and serves also as a strategic decision-making assessment. We will present systems complexity and develop three models of a complex tourism system: the first one will present tourism as an open complex system with its elements, which operate inside of a tourism market area. The elements of this system present subsystems, which relations and interdependencies will be explained with two models: causal-loop diagram and a simulation model in frame of systems dynamics. Design/methodology/approach: Systems methodology will be shown as the appropriate one, when we discuss complex systems challenges. For illustration, systems approach and systems methodology will be applied to tourism models. With building a qualitative causal-loop diagram we will describe the tourism system complexity in forms of system%s elements relations. Mutual influences among the elements will be presented with positive and negative loops, which forms circles of reinforcement and balance. This will help us to discuss the problem categorically. The final model will follow the causal-loop diagram. This will be a simulation model in a frame of system dynamics as an illustration of the discussed methodology. Results: The methodology offers the solution of effective and holistic promotion of complex tourism system transformation, which has the potential to go beyond the myth of sustainable tourism and create significant shifts in the approach and acting of the participants (elements of the system) involved. Systems approach brings to tourism and the society, in general, broader dimensions of thinking, the awareness interdependency, interconnectivity, and responsibility for the behaviour of a system, which can be observed by feedback loops. Conclusions: Findings about meaningfulness of systems thinking presented in the paper, are rarely presented to tourism society systemically and with the aim of designing sustainable complex tourism system. They show new approach, systems awareness and teaches thinking %out of the box%. Consequently, the sustainable behaviour is achieved: tourism supply and demand meet on responsible base and they connect to responsible stakeholders.
Ključne besede: systems approach, complexity, tourism system, modelling, system dynamics
Objavljeno v DKUM: 22.01.2018; Ogledov: 1144; Prenosov: 213
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