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Reviewer response to Pinter's "The Caretaker"
Tomaž Onič, 2004, izvirni znanstveni članek

Opis: The Caretaker is one of Harold Pinter's early plays. It was an immediate success, and it drew the attention of many critics, who started judging this contemporary British playwright's works from a new perspective. Therefore, many scholars consider The Caretaker an important turning point in the reception of Pinterćs works. The play has seen many stagings all over the world, two of them in Slovenia. This article sets out its most prominent productions, analyses and comments on their critical reviews, and compares these to the response to Pinter in Slovene cultural space.
Ključne besede: English drama, Literary reception, Slovenia, Harold Pinter, The Caretaker
Objavljeno v DKUM: 10.05.2017; Ogledov: 1902; Prenosov: 407
Celotno besedilo (406,30 KB)
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Pinter's The Caretaker in Two German Translations
Barbara Selinšek, 2016, diplomsko delo

Opis: The focus of the thesis lies on the linguistic and stylistic comparison of Pinter’s drama The Caretaker and two German translations by Willy H. Thiem, Der Hausmeister, from 1961 and the more contemporary German translation by Michael Walter from 2005. The aim of the thesis is to examine how and to what extent have the characteristics of Pinter’s style been preserved in the two German translations. The thesis is composed of eight chapters; chapter one is introductory and defines basic terminology used in the thesis and provides purpose of the thesis. Chapter two presents the life and work of Harold Pinter. Chapter three is subdivided into two parts and offers the analysis of The Caretaker, the plot, characters, relationships and action and provides information on German translations of Pinter’s plays and how they were presented on German stages. Chapter four is divided into two parts; the first part focuses on translation of literary style in general and the second on translation of drama in particular. Chapter five presents Pinter’s stylistic features. Chapter six is subdivided in five parts and discusses different stylistic shifts in the German translation: repetition, obsolescence of certain expressions, alliteration, colloquialism, register and manner of address. The analysis of examples taken from the original text and the translations shows to what extent have Pinter’s stylistic devices been preserved in the two German translations. Also commentary and further suggestions for the translation into German are offered. Conclusions are drawn in chapter seven; the comparison of Pinter’s drama The Caretaker and two German translations shows that there are some discrepancies in the application of Pinter’s stylistic devices in the translation; many stylistic shifts occur, and the two translators, in most cases, do not consider Pinter’s significant stylistic elements in their translations. In chapter eight the works that have been used for the research are listed.
Ključne besede: Harold Pinter, The Caretaker, translation of literary style, drama, translation, stylistic shifts
Objavljeno v DKUM: 21.09.2016; Ogledov: 1373; Prenosov: 98
Celotno besedilo (528,04 KB)

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