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Abstract: The article focuses on translations of metaphors, a unique aesthetic and poetic figure that requires special attention and accurate rendering in a literary translation. When translating metaphors, the translator should understand and preserve the meaning and the aesthetic component of the metaphors. The study discusses the rendering of metaphors in translations and re-translations of three short stories by Edgar Allan Poe: “The Gold Bug,” translated by Boris Rihteršič in 1935, and Jože Udovič in 1960; “The Pit and the Pendulum,” translated by Rihteršič in 1935 and by Udovič in 1972, and “The Fall of the House of Usher,” translated by Zoran Jerin and Igor Šentjurc (1952), and by Udovič in 1972. In gothic fiction, Poe established himself as a master of metaphors, which he used with astonishing fluency and precision. The results of the analysis demonstrate how and in which way Slovene translators rendered metaphors in the short stories of one of the greatest writers of gothic fiction, and what strategies they used to preserve Poe’s unique, dark, and delirious metaphorical style.
Keywords: American literature, metaphor, translation strategies, retranslations, short stories
Published in DKUM: 29.08.2025; Views: 0; Downloads: 9
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Abstract: This thesis uses techniques of comparative literature aiming to ascertain whether the culture of a country is reflected in that country’s literature (more specifically, its crime fiction). The thesis is divided into two parts. The theoretical part introduces crime fiction as a genre, its development, and compares cultural characteristics of Japanese and Americans. The practical part is a comparison of three American and three Japanese crime fiction novels with a focus on cultural reflections. These countries developed relatively historically independently, have distinctly different cultures, and enjoy somewhat contradictory reputations when it comes to safety.
Keywords: crime fiction, American literature, Japanese literature
Published in DKUM: 23.07.2020; Views: 1334; Downloads: 131
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Abstract: The thesis analysed the formation of black identity in Chimamanda Ngozi Adichie’s novel Americanah (2013). It aimed to uncover whether it is possible to talk about black identity, how it is formed and what influences its formation. It primarily explored how the author presented the formation of black identity in the protagonist of the novel through factors such as race, racism and racial terminology, body image, skin, hair and hair salons. In conducting the analysis of the problem, various critical approaches have been used, such as close reading of the text, formalist and stylistic analyses, review of literature and scholarly articles about the author and black identity, and the biographical method, followed by an evaluation and comprehensive interpretation of the topic in the scope of historical, social and linguistic contexts. Based on the examples presented, it appeared that exposure to various forms of racism, racial discrimination and marginalization, primarily connected to visual appearance, social position, treatment and opportunities (e.g., lighter skin and straighter hair improve one’s job prospects), led the protagonist to discover the meaning of being black in America. Thus, the research showed that the formation of black identity is influenced by the environment in which one lives and the social attitudes to which one is exposed.
Keywords: Chimamanda Ngozi Adichie, Americanah, African American hair, African American literature, blackness, black identity, race, racism
Published in DKUM: 25.09.2018; Views: 1210; Downloads: 194
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Abstract: In most cases, African American poetry eschews traditional literary norms. Contemporary African American poets tend to ignore grammatical rules, use unusual typography on many occasions, include much of their cultural heritage in their poetry, and interweave musical elements into literary genres. The influence of such musical genres as jazz, blues, soul, and gospel, together with the dilemmas that occur for the translator, will be shown to great extent, since music, like black speech, is a major part of African American culture and literature. The translator will have to maintain the specific African American rhythm, blues adaptations and the improvisational language under the jazz impact. The paper presents the problems in translating post-1950 African American poetry into Slovene, and asks to what extent can one successfully transfer the musical elements within this poetry for the target culture? Inevitably, it will identify a share of elements that are lost in translation.
Keywords: American literature, American poetry, African American poetry, jazz, blues, soul, gospel, translation, source culture, target culture
Published in DKUM: 16.05.2017; Views: 1168; Downloads: 407
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Abstract: The paper examines the immediate responses that emerged in American poetry after the terrorist attacks on 11 September, 2001. The aim of the paper is not to summarize the tragic events of 9/11, but to show how poets reacted to the terrorist attacks. In response to 9/11, a great deal of poetry emerged that expresses the poetic and completely personal, intimate side of the crisis, and many printed publications appeared in which poets addressed 9/11. Although one can find a range of features in American poetry after the attacks, there are notable similarities among the poetry being produced. The post-9/11 poetry can be divided into thematic clusters. This paper is, however, limited to responses that deal only with feelings of disorientation, loss and despair after 9/11. Furthermore, the paper presents poetic reactions that involve a sense of disillusionment and the idea that everything changed after the attacks. Each thematic cluster offers examples of 9/11 poetry that are interpreted with the help of close reading.
Keywords: American literature, contemporary American poetry, events of 9/1, responses, close reading, trauma, thematic criticism
Published in DKUM: 16.05.2017; Views: 1255; Downloads: 189
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